In music, a mode is a formula for creating a musical scale. The Ionian (major) formula is W–W–H–W–W–W–H. The Lydian formula (W–W–W–H–W–W–H) can give your melody or progression an uplifting and yearning feeling. Read the post.
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more.
Though labeled a Lennon/McCartney song, “She Said She Said” was more truly a Lennon/Harrison song that was a late addition to one of the pivotal albums in the Beatles’ esteemed catalog. Read the post.
Here’s the story of how an unlikely collaboration met with a massive riff, memorable chorus, groundbreaking samples, and an in-your-face solo to produce a surprise hit single in 1983. Read the post.
When you’re constructing a song, think of it in relation to the human body. You build the skeleton first, which can be a melody, and develop your song from there. Read the post.
Not only does “Good Vibrations” provide a structural template for Smile, it also gives the album its tonal language. Nearly every song or song section is written in one of “Good Vibrations” chords. Read More.
To write a great melody, throw in a dramatic flourish to enhance a moment, but sing the way people speak: It sounds better and makes a melody more memorable. Read More.
While I can’t give you an exact recipe for how to write a great melody, I can point out some common traits great melodies have to help improve your melodic skills. Read More.