You’re an indie artist — do you need legal protection?
When music becomes more than just a pastime and you set out to write, play, and release music, it’s time to consider steps you should take to protect yourself. Read the post.
work for hire
Making money with music: No fans? No problem!
One approach to making money with music is to focus on business customers. Check out these revenue streams which don’t require any audience or fans. Read the post.
Your copyright and royalty questions answered
On the heels of his YouTube series addressing copyrights and royalties, Tony van Veen solicited questions from you, our viewers and readers — and you responded. Here are answers to some of the copyright questions that are on your mind. Read the post.
Music producer deals [Video]
This post, excerpted from the video “Indie Producer Deals,” outlines the various options indie artists might have when it comes to hiring and working with a record producer. Read the post.
Collect everything your recorded music can earn: Pt. I
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians — if you know how to collect them. Read the post.
Six legal pitfalls to avoid in your music career
Avoid these tax and legal pitfalls as you launch your music business and navigate the industry as a songwriter and creative. Read the post.
What to charge for a music gig, Part II
Consider your own financial needs when it comes to working and pricing appropriately when someone asks, “What do you charge for a music gig?” Read the post.
What do you charge for a music gig? Part I
When a potential client asks, “what do you charge?” for a music gig or service, it’s not always easy to know what to say. Here are some guidelines to help you quote with confidence. Read the post.
Collaborating and communicating with non-musicians
At different stages of your career, you may find yourself collaborating with musically inexperienced partners. These tips can help you engage in constructive communication with non-musical collaborators. Read the post.
Work For Hire agreements from a musician’s perspective
In a follow up to our Work For Hire post that looked at these agreements from the producer’s perspective, this post gives advice to musicians being asked to perform/record and sign a WFH contract. Read the post.
Work For Hire agreements: The producer’s perspective
If you’re hiring musicians (or other contributors) to work on a music project, these tips from a music industry lawyer can help you navigate a Work For Hire agreement. Read the post.