If you are planning a phrase-by-phrase approach to tracking vocals in a studio, here are some tips to help make your experience a success. Read the post
It’s great when a vocal performance can be recorded in one cohesive take, but not every session will succeed with this approach. Sometimes, a modular strategy is required when tracking vocals. Read the post.
When you’re simultaneously artist and engineer, singer and producer, there are plenty of steps you can take to lay the groundwork for a successful recording session. Read the post.
Nailing a transcendent vocal recording can seem like trying to capture lightning in a bottle — but the whole process need not be mysterious or intimidating. Here are a few tips to get you started. Read the post.
For any given song, the specific approach to producing background vocals is dependent on the production style and genre, but when listening to any modern song on the charts, you can quickly pick up that there is a lot going on. Serious thought has been put in to the arrangement and presentation of these parts, which usually means quite a bit of editing work. Luckily for us, this type of work and associated workflow is what Pro Tools does best. Read more.
Sometimes you have to push to get the best take out of a singer. The artist and the band might be satisfied with a take, but you as the producer or the engineer might feel like there’s something better you can get. So you say, “OK. We’ve got a great take down, let’s roll down the track one more time, and let’s get one more on tape.” Sometimes that’s when something really special happens. You always have to be an encouraging presence. Read more.
No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson’s records. Excerpted from Swedien’s book, In The Studio With Michael Jackson, published by Hal Leonard. Read more.