Every studio recording should begin with pre-production, as prepping for a studio recording is the only way to take advantage of the time you have. Record yourself playing your band’s songs to understand how your tracks will come together in the studio. Review your recordings and focus on your parts to understand where improvements need to be made to lock down the tracks. Read more.
When my co-producer came in for day one of the session, I was surprised to see him carrying a gallon container of hot coffee in one hand and a bag full of bagels and donuts in the other. His explanation was simple but memorable: “When you’re producing a session, the $50 you spend on food for the musicians and engineer will be the best $50 you spend on the entire project.” Read more.
Depending on the genre of music, if you’re doing a live performance, or you’re recording the entire band or ensemble simultaneously, sometimes you can get away without a click – especially if you have a really solid drummer. But 80% of the time in a studio recording – especially if we’re just cutting drums and bass – we’re playing to a click. Read more.
Whether you’re entering the studio for the first or fiftieth time, embarking on a full-length album or a soundtrack one-off, successful recordings start with some form of pre-production, a process that allows the artists and production team to define things like which songs will be recorded, the key of each song, and their tempos. Read more.