When mixing music — in your home studio or a massive “A” room — cranking up the volume makes everything sound sweet. At least, until reality sets in. Read the post.
There are baseline truths you can fall back on to improve your mixes, whatever your sound source – whether mixing with headphones or studio monitors. Read More.
In our August Disc Makers Twitter chat (#DMchat), Graham Cochrane, mixing engineer and founder of The Recording Revolution, gave us an overview of audio mixing fundamentals for musicians of all genres. Read More.
Other than cost, which is one obvious reason headphones are a worthwhile option, here are three advantages to mixing on headphones in your home studio. Read More.
Do you have questions about what mastering engineers do and how they achieve their results? This introduction to the mastering gear in The SoundLAB gives you a glimpse into our mastering suites and the gear we use to make your music sound great. Read More.
There’s always something your studio could use to improve work flow and functionality. Gibson’s Craig Anderton fell in love with these six home studio accessories this year. These goodies have stood out over the past year as essential for his studio, and they can contribute to any studio makeover or holiday wish list. Read more.
For the recording enthusiast who has endeavored to outfit space in his/her home for the purpose of recording music, step two is amassing the studio gear for the task at hand. And yes, recording equipment and accessories are much more affordable than ever, but you’re still going to spend a chunk of money before you’re ready to hang a shingle and call your buddies over to record at your project studio.
The dividing line between what used to be referred to as “home studio” vs. “professional” recording gear is barely discernable – and the performance and specs of nearly all of the contenders in the home recording marketplace are now near parity. As a result, the differences that distinguish one model from another are often the user interface, the quality of tech support, and whether or not there’s an established user base that can offer ideas and tips for how best to use any particular system. Read more.
Brian Lipski, who heads the dedicated group of audio engineers in the SoundLab Mastering Suite at Disc Makers, explains some of the basics about post-production mastering and the gear used in the process – either in your home studio or in a professional environment like the SoundLab. View video…