Recognize the signs and control your activities before, during, and after a studio session to minimize ear fatigue and get your best results from your recording. Read the post.
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
So much about recording saxophone and other reed instruments depends on the player, the room, the mics, the style of play, and how the track fits into the song overall. Here are some recording tips from a veteran producer. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses mics, mic placement, and different techniques for recording a great bass tone for every music genre. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses piano miking techniques on different instruments in different settings to get the tone you need for the situation. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a kick drum in your studio. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a snare drum along with a full drum kit. Read the post.
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
From communicating, coaxing the best possible performance, and keeping an artist comfortable, a lot of a producer’s skills have little to do with recording techniques. Read the post.
There are a lot of factors that play into choosing the right arrangement for a song — but choosing the right key for you and the musicians might be the most important. Read the post.
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
Excerpted from the 3rd edition of Disc Makers’ revised and expanded Home Studio Handbook, these basic recording tips will help you make the most of your studio time. Read the post.
Here’s the story of how an unlikely collaboration met with a massive riff, memorable chorus, groundbreaking samples, and an in-your-face solo to produce a surprise hit single in 1983. Read the post.
There’s plenty you can do to set your mixing engineer up for success. Ken Lewis recommends committing important production choices to audio before sending your tracks off for an audio mix. Read More.