Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a kick drum in your studio. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a snare drum along with a full drum kit. Read the post.
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
From communicating, coaxing the best possible performance, and keeping an artist comfortable, a lot of a producer’s skills have little to do with recording techniques. Read the post.
There are a lot of factors that play into choosing the right arrangement for a song — but choosing the right key for you and the musicians might be the most important. Read the post.
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
Excerpted from the 3rd edition of Disc Makers’ revised and expanded Home Studio Handbook, these basic recording tips will help you make the most of your studio time. Read the post.
Here’s the story of how an unlikely collaboration met with a massive riff, memorable chorus, groundbreaking samples, and an in-your-face solo to produce a surprise hit single in 1983. Read the post.
There’s plenty you can do to set your mixing engineer up for success. Ken Lewis recommends committing important production choices to audio before sending your tracks off for an audio mix. Read More.
Here are some tips for prepping for an audio mix from multi-Grammy Award winner and Audio School Online creator, Ken Lewis. Read More.
This post will help you with the task of shopping recording studios and avoiding the “studio car wash” syndrome where artists get the same artistic whitewash. Read More.
One way to control the amplitude of a signal is by running it through a compressor, which turns down the volume each time the signal gets louder than a preset threshold. Understanding the functions of compression and panning are part of music production basics and will help you in the recording and mixing phases of your project. Read more.
Controlling volume is one of the most important elements in audio production. Understanding amplitude, volume, normalization, and automation are all part of music production basics and will help you in the recording and mixing phases of your project. Read more.
Sometimes “useful” is better than “precise,” though it is helpful to know what the differences are between technical terms in the recording studio. Even if you do misuse terms like loudness, volume, and gain on a regular basis. I work in the audio world and I still had to look up the exact definition of “gain.” Read more.