Here are three of our most popular Indie Music Minute videos so far, tackling the topics of being your own record label, mixing vs. mastering, and getting a mechanical license for YouTube. Read the post.
In our July Disc Makers Twitter chat (#DMchat), Brian Lipski, mastering engineer and manager of The SoundLAB, gave us an introduction to audio mastering for musicians of all genres. Read More.
Do you have questions about what mastering engineers do and how they achieve their results? This introduction to the mastering gear in The SoundLAB gives you a glimpse into our mastering suites and the gear we use to make your music sound great. Read More.
Using stereo widening plug-ins in audio mastering to try to expand your mix’s stereo width won’t sound natural and could cause major issues with your finished track. Read more.
Supplying audio files in compressed formats or applying heavy limiting or compression during mix down can compromise your master and negatively impact your audio mastering results. Read more.
The primary goal of audio mastering is fairly simple: prepare a recording for distribution and ensure it sounds better going out than it did coming in. Read more.
Paul Elliott, senior mastering engineer at Disc Makers’ SoundLab mastering studios, offers a few tips to help artists get the most out of their mastering sessions, as well as some of his own opinions about the role of mastering in the album-making process.
First, prepare an accurate track listing – in the proper order – of all the songs you are sending to the mastering engineer. If there are any alternate mixes, be sure those are clearly labeled and tell the engineer which one you prefer be used. Read more…