Bobby Borg talks with Anika Paris — an award-winning singer/songwriter, classically trained pianist, and published poet and author — about ways to write unique pop songs. Read the post.
One of the drivers of any successful career is developing expertise in your field. Where and how do you gather that information for your music career? Here’s a place to start. Read the post.
McCoy Tyner, a giant of jazz piano, embodied powerful lessons that music-makers of any sort can learn from. Read the post.
From songwriting ideas to recording technique, there’s a lot you can learn from the songwriter’s tragi-comic recording-in-quarantine project. Read the post.
A recent “Play For a Publisher” event featured Stacey Willbur, VP of Publishing and A&R for Full Circle Music sharing her feedback about 10 songs that were selected to be showcased. Read the post.
“The Happy Song” is music that is scientifically engineered to make a baby happy. Is it freaky mind control or brilliant use of resources? Or a bit of both? Read the post.
Study up on the Mixolydian Mode, queue up a nice Mixo chord progression, and you’ll see why guitar masters like Eddie Van Halen, Angus Young, and Duane Allman all love Mixo-Dorian Blues. Read the post.
Johnny Dwinell and Brent Baxter lean on some sage songwriting advice Brent got from veteran songwriter Ralph Murphy: deliver a positive tempo. Read the post.
In music, a mode is a formula for creating a musical scale. The Ionian (major) formula is W–W–H–W–W–W–H. The Lydian formula (W–W–W–H–W–W–H) can give your melody or progression an uplifting and yearning feeling. Read the post.
While the mediant (iii chord) isn’t as structurally integral as the tonic, dominant , or subdominant, employing it can provide an unexpected surprise that will make listeners’ ears perk up every time. Read the post.
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
If the market decides your songs are forgettable, then guess what? Your songs are forgettable. If the market, the listeners, decides that your new album is not worth their time… they’re right. They get to decide if your songs are great. Read the post.
Suspended chords offer more than just a frilly little something to add to your music. They work as substitution chords, they can smooth out chord progressions, and they can add tension to your music. Read the post.
Want to know the number one reason why artists fail? I’m gonna be blunt about it: their songs aren’t good enough. Read the post.