Whether you’re dancing on piano keys or dreaming on acoustic guitar, reimagining your favorite songs for solo performance with just you, your voice, and a single instrument can be as fun as it is challenging. Read the post.
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
There are a lot of factors that play into choosing the right arrangement for a song — but choosing the right key for you and the musicians might be the most important. Read the post.
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more.
Suspended chords offer more than just a frilly little something to add to your music. They work as substitution chords, they can smooth out chord progressions, and they can add tension to your music. Read the post.
Not only does “I Heard It Through The Grapevine” hold the distinction of the being the first and last number one R&B song in 1968, it is the only song to have been a number one R&B hit for three artists. Read the post.
When learning a song or diving into ideas for music production, multiple listens to an inspiring track can help you discover arrangement and recording tricks that you can apply to your own music. Read the post.
This is the second in a series that examines cover songs that went on to be huge hits, even though the original versions were mostly unknown. This post covers Crosby, Stills & Nash’s “Southern Cross.” Read the post.
How did a forgotten 1965 B-side become a 1981 smash? “Tainted Love” had hidden elements that Soft Cell unlocked to turn it into an enduring (and often covered) hit song. Read the post.
These songs from decades past show us that, really, more is less. Let’s explore the magic of the bVII-I progression and how two chords can make a song. Read the post.
While it might be difficult to keep a song interesting if you limit it to one chord, it can also help create tension, highlight your lyrics, or drive a hypnotic groove. Read the post.
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
![Scott McCormick is a musician and the author of the Mr. Pants series of graphic novels for kids. His new audiobook, Rivals! Frenemies Who Changed the World, has been described as “drunk history for middle-grade kids” and is available on Audible. Scott can be reached at storybookediting@gmail.com. [hana-code-insert name='Guide Songwriting' /]](https://blog.discmakers.com/wp-content/uploads/2018/12/SongEnding_Facebook-440x230.jpg)
The fade out, the cold ending, the endless loop, the key modulation… there are so many approaches to a song ending — at least on record — so, how are you gonna do it? Read the post.
As an independent music artist, you’ve got a few seconds — at most — to reel a listener in to your single or lead-off track. Here are some strategies to craft a song intro that will make your listeners pay attention. Read the post.
We take a look at the true innovation and widespread influence James Brown had as he evolved his sound and created funk music in the process. Read the post.