The Future of Music Coalition just released the results of a research project they conducted where over 5,000 US-based musicians were surveyed about how they earned money. Here is the list with their findings. 1. Publisher advance. Bulk payment to songwriter/composer as part of a publishing deal. 2. Mechanical Royalties. Royalties generated through the licensed reproduction of recordings of your songs — either physical or digital. Read more.
Cameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written a four part series about self-releasing an album. Filled with helpful information and resources on everything from your production schedule to digital distribution to copyrights and cover songs, it is a must-read. Read more…
No musician can afford to miss out on a potential source of income. So if you’re a songwriter, and not a member of a Performance Rights Organizations (PRO) like ASCAP, BMI, SESAC, or SOCAN (Canada), you could be leaving money on the table. It’s not difficult to join one of these organizations, and as an independent, there are ways to enroll that allow you to maximize your royalties and double what you might think you’re eligible for. Read More.
This one word has caused more musicians to pull their hair out than any other word in the music business. It’s a tricky and confusing subject – confusion that’s aided by the unintuitive nature of copyright law, the use of archaic terms left over from the history of music publishing, and the general craziness of the music business.
But music publishing is one of the most important aspects of the music business. Every musician wishing to earn money from their music needs to have at least a general understanding of publishing.
If you’ve been following the Music Business 101 series on GrindEFX, you should have a leg up on copyright and licensing, which form the basis for music publishing. Read more…
Here are 14 important tips to consider when choosing your record producer – regardless of your status as a signed or independent artist.