Are Dynamics Dead in Popular Music?

Since the earliest compressors were conceived and built, the ability to modify, control, and maximize the dynamic range of a musical performance has been the quest of many an audio engineer. In the early days of audio, limits on a recording’s overall dynamic range were dictated by vinyl – the state of the art in music delivery until the CD’s debut in 1982. Today, with virtually all music being recorded and massaged in a digital environment, it’s become standard operating procedure to limit, compress, or maximize the dynamic range of a track or an entire mix. Read more…