Our March 15th Disc Makers Twitter Chat focused on home studio recording tips featuring recording artist, producer, recording engineer, and “The Recording Solution” founder Scott Wiggins. See what Scott had to say in this #DMchat. Read more.
To get a great vocal sound in your home studio, you need to concentrate on these five technical elements – assuming you’ve got a vocalist who can deliver and a space ready to set the mood capture the mood. Check out this video for a high-impact, commonsense recording tutorial. Read more.
Traditionally, a record producer is tasked with the big picture – the entire recording process. A vocal producer is a specialist who concentrates on getting the best vocal performance possible. We spoke with David Pramik to learn more about the role of a vocal producer and what benefits an artist receives when working with one. Read more.
When it comes to vocal technique, Fields recommends keeping a round mouth and keeping the sound from coming purely out of the nose. “If you can create the sound in the back of your throat, combine that with the air in your chest and get resonance in your nasal cavity, you’re good. It’s almost like singing under water.” Read more.
Want to learn how to sing R&B and deliver great vocals? Singer and producer Alvin Fields gives advice on choosing material, delivering vibrato, and owning your riffs. Read More.
Recording vocals in your home studio can be somewhat tricky, especially if the quality of your recording space doesn’t contend with a professional studio environment. However, there are plenty of solutions that can improve the quality of your vocal recordings. The room in which you record in will be as much a part of the recording as the singers voice. This can work in your favor and can also work against you. Read more.
Updated December 2019. Over the years, we’ve posted articles that include advice and insights for vocalists from every genre. From recording tips to video warm ups, from vocal health care tips to production tricks, we’ve covered a lot of ground. Here are some of our more popular posts collected in one place. Read the posts.
For any given song, the specific approach to producing background vocals is dependent on the production style and genre, but when listening to any modern song on the charts, you can quickly pick up that there is a lot going on. Serious thought has been put in to the arrangement and presentation of these parts, which usually means quite a bit of editing work. Luckily for us, this type of work and associated workflow is what Pro Tools does best. Read more.
As a vocalist preparing for a performance or studio date, “the obvious thing to do is rest,” recommends Daniel Ebbers, Associate Professor of Voice at the Conservatory of Music. “But there are environmental things, like being in a place where the decibel level is much higher than you think it is. To compete with the sound, you have to strain your voice to be heard or understood. Many times, people are unaware that they’re in such an environment, but when you’re a singer, you have to be aware of these environmental conditions.” Read more.
If you’re recording and mixing your own tracks, you may have already begun experimenting with reverb and delay, two time-based effects that offer the opportunity to change the perceived time and space coefficient of an individual instrument, voice, or an entire mix. We’ll consider the aesthetic use of each, and recommend a few classic tracks worth checking out that make excellent use of these time and space effects. Read more.
No one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson’s records. Excerpted from Swedien’s book, In The Studio With Michael Jackson, published by Hal Leonard. Read more.
I’d rather not copy and paste the lead vocal track together from a number of earlier takes. I prefer to record the best sections together onto a new master composite vocal track. I listen to each section of the song and decide which of the takes offers the best performance. I assign pitch correction on each vocal track, and as I get ready to record that section to my new composite track, I can tuning make adjustments. Read more.