The people who write, record, and produce music
Part 4 of our music business series covers the tasks required to get your music written, recorded, produced, and made ready for distribution. Read the post.
recording project
Ear fatigue: Know the signs, avoid mistakes
Recognize the signs and control your activities before, during, and after a studio session to minimize ear fatigue and get your best results from your recording. Read the post.
When should a producer get a publishing split?
While a producer may get points on your sound recording, is he or she entitled to a share of the composition (songwriting) royalties? It depends on how they’ve contributed. Read the post.
What are music producer points?
A music producer can be an essential part of the creative process, but make sure you know how the compensation structure works before you start your project. Read the post.
What’s the difference between an engineer and a music producer?
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
Recording saxophone and reed instruments — tips from a veteran producer
So much about recording saxophone and other reed instruments depends on the player, the room, the mics, the style of play, and how the track fits into the song overall. Here are some recording tips from a veteran producer. Read the post.
Recording bass guitar — Tips from a veteran producer
Producer/engineer/studio owner Jon Marc Weiss discusses mics, mic placement, and different techniques for recording a great bass tone for every music genre. Read the post.
Piano miking techniques for the studio and stage
Producer/engineer/studio owner Jon Marc Weiss discusses piano miking techniques on different instruments in different settings to get the tone you need for the situation. Read the post.
How to record a kick drum
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a kick drum in your studio. Read the post.
How to record a snare drum
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a snare drum along with a full drum kit. Read the post.
How to get better results mixing in your home studio
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
How to record better tones in your home studio
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
Getting a great vocal take in the studio
Capturing the ultimate vocal performance can require push and pull between the producer and talent. The tact and technique of the producer plays a pivotal role in recording a great vocal take. Read the post.
Tracking vocals: Making a phrase-by-phrase approach work
If you are planning a phrase-by-phrase approach to tracking vocals in a studio, here are some tips to help make your experience a success. Read the post
Tracking vocals one phrase at a time
It’s great when a vocal performance can be recorded in one cohesive take, but not every session will succeed with this approach. Sometimes, a modular strategy is required when tracking vocals. Read the post.