Producing a new track? Don’t take a day off.
When producing a new track, try working on it — even for a very short time — every single day until it’s done. Read the post.
recording project
How to produce a vocal session (when you’re also the singer)
Singing and producing at the same time creates a unique set of challenges. It can also offer freedom and a work-flow that’s all yours. Read the post.
Why does my music need mastering?
Home recording is easier and more affordable than ever, which makes the role of mastering ever more important. Here are some objective reasons that make the case for mastering your recordings. Read the post
Are you ready to return to the recording studio?
A return to regular activities might mean you’ll be stepping into a recording studio for the first time in many months. Keep these tips in mind as you prepare for your recording session. Read the post.
The people who write, record, and produce music
Part 4 of our music business series covers the tasks required to get your music written, recorded, produced, and made ready for distribution. Read the post.
Ear fatigue: Know the signs, avoid mistakes
Recognize the signs and control your activities before, during, and after a studio session to minimize ear fatigue and get your best results from your recording. Read the post.
When should a producer get a publishing split?
While a producer may get points on your sound recording, is he or she entitled to a share of the composition (songwriting) royalties? It depends on how they’ve contributed. Read the post.
What are music producer points?
A music producer can be an essential part of the creative process, but make sure you know how the compensation structure works before you start your project. Read the post.
What’s the difference between an engineer and a music producer?
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
Recording saxophone and reed instruments — tips from a veteran producer
So much about recording saxophone and other reed instruments depends on the player, the room, the mics, the style of play, and how the track fits into the song overall. Here are some recording tips from a veteran producer. Read the post.
Recording bass guitar — Tips from a veteran producer
Producer/engineer/studio owner Jon Marc Weiss discusses mics, mic placement, and different techniques for recording a great bass tone for every music genre. Read the post.
Piano miking techniques for the studio and stage
Producer/engineer/studio owner Jon Marc Weiss discusses piano miking techniques on different instruments in different settings to get the tone you need for the situation. Read the post.
How to record a kick drum
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a kick drum in your studio. Read the post.
How to record a snare drum
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a snare drum along with a full drum kit. Read the post.
How to get better results mixing in your home studio
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.