What are music producer points?
A music producer can be an essential part of the creative process, but make sure you know how the compensation structure works before you start your project. Read the post.
record producer
What’s the difference between an engineer and a music producer?
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
Logic or Pro Tools? Which is better for you?
Bobby Borg talks with Maurizio De Togni to compare Avid’s Pro Tools software with Apple’s Logic Pro based on price, usability, and compatibility — with a focus on the independent artist. Read the post.
Adding live strings to your recording
When you’re ready to add violin, cello, or other orchestral strings to your recordings, these tips will get you off the ground and help you communicate and harness the creativity of your collaborators. Read the post.
How to get better results mixing in your home studio
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
How to record better tones in your home studio
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
Psychology and the music producer
From communicating, coaxing the best possible performance, and keeping an artist comfortable, a lot of a producer’s skills have little to do with recording techniques. Read the post.
How to sequence an album for best results
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
What multiple listens can reveal about a song
When learning a song or diving into ideas for music production, multiple listens to an inspiring track can help you discover arrangement and recording tricks that you can apply to your own music. Read the post.
The art of music arrangement: an interview with Dr. Richard Niles
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
5 things to do before recording in a professional studio
Going to a professional studio for the first time can be an exciting and intimidating experience. If you aren’t prepared, it can also be much more expensive than it needs to be. Read the post.
From demo to classic: She Said She Said
Though labeled a Lennon/McCartney song, “She Said She Said” was more truly a Lennon/Harrison song that was a late addition to one of the pivotal albums in the Beatles’ esteemed catalog. Read the post.
Are you ready for a remote musical collaboration?
If you need to collaborate with others to make your project come alive, when do you look locally and when do you search beyond? Here are some guidelines to help you decide when remote musical collaboration is right for your project. Read the post.
Remote music collaboration: How I got a live cello on my recording
When I realized my latest recording project needed live strings to add the energy and timbre the song needed, I ended up collaborating with a cellist from Toronto, with stellar results. Read the post.
Make the most of your studio time (and space)
Excerpted from the 3rd edition of Disc Makers’ revised and expanded Home Studio Handbook, these basic recording tips will help you make the most of your studio time. Read the post.