Can radio boost your music career? Pt 2: Non-commercial radio and indie music

August 17, 2016August 17, 2016 Keith Hatschek

Part 2 in our series on non-commercial radio looks at KDVS in California and the model it employs as a self-described non-Top 40 station. Read More.

Can radio boost your music career? Pt. 1: Commercial vs. non-commercial radio

August 16, 2016August 17, 2016 Keith Hatschek

Part 1 of this post explores a brief history of radio deregulation, its impact on the national radio market, and the opportunity local non-commercial radio represents to indie musicians. Read More.

Get paid when you get played

September 30, 2009September 12, 2017 Randy Chertkow and Jason Feehan

No musician can afford to miss out on a potential source of income. So if you’re a songwriter, and not a member of a Performance Rights Organizations (PRO) like ASCAP, BMI, SESAC, or SOCAN (Canada), you could be leaving money on the table. It’s not difficult to join one of these organizations, and as an independent, there are ways to enroll that allow you to maximize your royalties and double what you might think you’re eligible for. Read More.