Part 2 in our series on non-commercial radio looks at KDVS in California and the model it employs as a self-described non-Top 40 station. Read More.
Part 1 of this post explores a brief history of radio deregulation, its impact on the national radio market, and the opportunity local non-commercial radio represents to indie musicians. Read More.
If you’ve got a great new release that you really believe can get some serious college radio play, but you just don’t have the budget to hire a professional radio promoter, don’t let that stop you! With a good plan and time dedicated to the task, you can be your very own radio promoter. Here are the steps to get it done: Read more…
Myxer just released a report from a recent study they conducted, showing some very encouraging news for independent artists. The overwhelming majority of their users are buying CDs, and just under half of them use the radio as their primary means of discovering new music.
Despite the rise in smartphone users, and increase in purchases of mobile entertainment content, traditional media channels (including packaged CDs, live events, radio and television) still remain a popular way for people to access new music and artists. Captured in the latest BoomBox report, Myxer today reveals some surprising user preferences as they relate to music purchases, behaviors and trends across its 35 million-member community.
No musician can afford to miss out on a potential source of income. So if you’re a songwriter, and not a member of a Performance Rights Organizations (PRO) like ASCAP, BMI, SESAC, or SOCAN (Canada), you could be leaving money on the table. It’s not difficult to join one of these organizations, and as an independent, there are ways to enroll that allow you to maximize your royalties and double what you might think you’re eligible for. Read More.