Part 4 of our music business series covers the tasks required to get your music written, recorded, produced, and made ready for distribution. Read the post.
While a producer may get points on your sound recording, is he or she entitled to a share of the composition (songwriting) royalties? It depends on how they’ve contributed. Read the post.
A music producer can be an essential part of the creative process, but make sure you know how the compensation structure works before you start your project. Read the post.
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
When you’re ready to add violin, cello, or other orchestral strings to your recordings, these tips will get you off the ground and help you communicate and harness the creativity of your collaborators. Read the post.
From songwriting ideas to recording technique, there’s a lot you can learn from the songwriter’s tragi-comic recording-in-quarantine project. Read the post.
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
Choose the vocal tuning and pitch-correction tools, techniques, and workflow that will give your music the finished vibe you’re looking for. Read the post.
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
When learning a song or diving into ideas for music production, multiple listens to an inspiring track can help you discover arrangement and recording tricks that you can apply to your own music. Read the post.
Going to a professional studio for the first time can be an exciting and intimidating experience. If you aren’t prepared, it can also be much more expensive than it needs to be. Read the post.
If you haven’t ever tried to play slide guitar, all you need is a metal or glass slide, some patience, and to apply a few basic tips, as presented in these six videos. Read the post.
If you need to collaborate with others to make your project come alive, when do you look locally and when do you search beyond? Here are some guidelines to help you decide when remote musical collaboration is right for your project. Read the post.
When I realized my latest recording project needed live strings to add the energy and timbre the song needed, I ended up collaborating with a cellist from Toronto, with stellar results. Read the post.