Songwriting advice: Cry when you write, dance when you produce
Johnny Dwinell and Brent Baxter lean on some sage songwriting advice Brent got from veteran songwriter Ralph Murphy: deliver a positive tempo. Read the post.
people who make music
Focus on making more money from music this year
Here are 10 posts from the Randy Chertkow and Jason Feehan (AKA The Music Money Guys) that will help you make more money with your music in 2020. Read the post.
Stop saying your songs are “great”
If the market decides your songs are forgettable, then guess what? Your songs are forgettable. If the market, the listeners, decides that your new album is not worth their time… they’re right. They get to decide if your songs are great. Read the post.
Collect everything your recorded music can earn: Pt. II
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians if you know how to collect them. Read the post.
Collect everything your recorded music can earn: Pt. I
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians — if you know how to collect them. Read the post.
Should I copyright my song?
Per the Copyright Act of 1976, as soon as your song is in a fixed form, you own the copyright. So usually what people are talking about is registering the copyright when they ask, “Should I copyright my song?” Read the post.
Seven Things Every Lyricist Should Know
This post is excerpted from The CLIMB podcast, Episode #125, “Seven Things Every Lyricist Should Know.” Realizing these points has really helped me in my songwriting career. This is more mindset stuff, so this will be helpful no matter what you do. Read the post.
Being an authentic artist — Jason Wilkes’ journey to find himself
How did Jason Wilkes — AKA “Wilkes” — go from a Christian band in Cedartown, Georgia all the way to becoming a fan favorite on The Voice? And what surprising revelation did it take him 17 years to discover? Read the post.
How to make the most of Facebook songwriting groups (or, stop ruining Facebook!)
Brent Baxter and Johnny Dwinell discuss strategies on how to behave as a member of Facebook songwriting groups. Excerpted from The CLIMB podcast, “STOP Ruining Facebook and Your Career.” Read More.
Crafting the right song demo can maximize the chances of having your music cut by major artists
Your song has to be great for you to have a chance at landing a cut with a major artist, and your song demo has to hit the right notes, too. Read More.
Are you writing for an audience of one, or one million? Mailbox Money, Part 4
If you’re hoping to land a cut, there’s one listener who definitely must connect with your song: the artist you’re pitching to. That’s your first listener, the one who will hear it before the masses. Read More.
The song pitch: 9 tips for getting your songs heard by major artists
We spoke to a music industry veteran to get 10 tips on how to perfect your song pitch and maximize your chances of major artists hearing – and possibly recording – one of your original songs. Read More.
Landing a cut can jump-start your music career: Mailbox money, Part III
Being a performing artist isn’t the only way to make a living in the music business. Landing a cut can be a way to kick off your solo career, or it could be a way to long-term success as a songwriter. Read More.
The first steps to pitching your songs: Mailbox money, Part II
You may already have the makings of a network that can help you pitch your songs to other artists — maybe even signed artists. Do your homework. You might be sitting on a mountain of contacts who could open doors of opportunity for you to earn some mailbox money. Read More.
Mailbox money: How cuts can increase your money-making potential
A “pitch” is when a song is presented to an artist in the hopes the artist will record it. When an artist records your song, it is commonly called a “cut.” When you get a cut, it can lead to a wonderful thing called “mailbox money.” Read More.