In part two of our DIY music business series, we focus on live music event roles. Learn how to leverage key services and expertise to help you delegate work so you can focus on creating and performing music. Read the post.
Do-it-yourself doesn’t mean do-it-alone. Leverage key services and expertise and delegate important work so you can focus on things you are uniquely qualified for, like creating music. Read the post.
Bobby Borg talks to Dr Chaz Austin, an employment consultant and author of 100 Ways To Find Work And Keep Finding Work For The Rest Of Your Career about the importance of building and maintaining relationships at your job. Read the post.
Bobby Borg talks to Freddy Nager, a former label executive and marketing pro, about the importance of networking and how to do it effectively — especially if you hate the idea of networking on its face. Read the post.
You have full control over who gets on your guest list, so use it to invite bookers, journalists, bloggers, music supervisors, and businesspeople you want to influence. Read the post.
Growing your audience — and your revenue — boils down to getting to know the right people. Follow these musician networking tips to grow your connections and music career. Read the post.
Consider your own financial needs when it comes to working and pricing appropriately when someone asks, “What do you charge for a music gig?” Read the post.
When a potential client asks, “what do you charge?” for a music gig or service, it’s not always easy to know what to say. Here are some guidelines to help you quote with confidence. Read the post.
Whether contributing backing vocals, laying down beats, or anything in between, playing the role of a musician for hire can be complicated. Here are some tips to help you make it. Read More.
The music business is constantly changing and evolving. Music conferences can offer an insider’s view on important trends, emerging technology, and who’s who in the music business. Read More.
A music supervisor’s job is to find, place, and link music with multimedia based projects that need outside music. In order to become a music supervisor you must be knowledgeable about music licensing, have a grasp on the different industries that are in need of music, and possess excellent networking skills. Read more.
You know what the secret is?” Rob “Blasko” Nicholson reveals, “The hour that you’re onstage, that’s not the important part. It’s the other 23 hours of the day. If no one can stand you because you’re a raging asshole or a drug addict or whatever for 23 hours of the day, it doesn’t matter how good you are for the hour onstage.” Read more.
Want to be involved and help build your music community? It starts with networking basics – building relationships with songwriters, musicians, and the other active people in your local music community. I tried it, and for 112 months in a row, from March 2003 through July 2012, I hosted a successful music event at my house in Nashville called the “3rd Sunday at 3:00.” Read more.
Two enterprising students just launched a music industry blog and asked 11 music industry pundits the following questions: 1. What one business skill do you think musicians/songwriters should spend the most time developing as they look to build a career for themselves? 2. What online service or tool do you think every musician should be using? Find out what they had to say. Read more.
An independent artist has to constantly put out material that is going to interest and evoke a response from your audience. So it’s not just releasing music, though certainly you can do that pretty easily – the tools are there for you to put out a song a week if you wanted to. Be it video content or blog content or tour diaries, there are plenty of avenues for you to consistently produce content that will draw your audience in and keep them engaged. Read more.