For some extended guitar chords — like a fully voiced thirteenth — there are more notes in the chord than there are strings. That’s where slash chords come in … with a little help from your bassist. Read the post.
Eleventh chords can liven up music in any genre, but they can be confusing. Here are some charts and examples to help guide you in your pursuit of extended chords. Read the post.
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
The fade out, the cold ending, the endless loop, the key modulation… there are so many approaches to a song ending — at least on record — so, how are you gonna do it? Read the post.
As an independent music artist, you’ve got a few seconds — at most — to reel a listener in to your single or lead-off track. Here are some strategies to craft a song intro that will make your listeners pay attention. Read the post.
Though labeled a Lennon/McCartney song, “She Said She Said” was more truly a Lennon/Harrison song that was a late addition to one of the pivotal albums in the Beatles’ esteemed catalog. Read the post.
We take a look at the true innovation and widespread influence James Brown had as he evolved his sound and created funk music in the process. Read the post.
If you haven’t ever tried to play slide guitar, all you need is a metal or glass slide, some patience, and to apply a few basic tips, as presented in these six videos. Read the post.
In part two of our series, we break down two more iconic songs from the Rolling Stones’ library: 1966’s “Under My Thumb” and “Ruby Tuesday.” Read the post.
With guitar riffs like the one in “The Last Time,” the Rolling Stones established their musical signature on the way to becoming songwriting legends. Read the post.
Here’s the story of how an unlikely collaboration met with a massive riff, memorable chorus, groundbreaking samples, and an in-your-face solo to produce a surprise hit single in 1983. Read the post.
When you’re constructing a song, think of it in relation to the human body. You build the skeleton first, which can be a melody, and develop your song from there. Read the post.
“Mentoring for the Modern Musician” podcast producers Adam and Michael Scharff caught up with musician/author/Disc Makers Blog contributor Scott McCormick to dig deeper into Scott’s three-part DM Blog series on the inimitable Brian Wilson. Here’s an excerpt from the conversation. Read More.
Not only does “Good Vibrations” provide a structural template for Smile, it also gives the album its tonal language. Nearly every song or song section is written in one of “Good Vibrations” chords. Read More.
To write a great melody, throw in a dramatic flourish to enhance a moment, but sing the way people speak: It sounds better and makes a melody more memorable. Read More.