Focus on making more money from music this year
Here are 10 posts from the Randy Chertkow and Jason Feehan (AKA The Music Money Guys) that will help you make more money with your music in 2020. Read the post.
music publishing
What can you learn from Taylor Swift’s master rights predicament?
Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Collect everything your recorded music can earn: Pt. II
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians if you know how to collect them. Read the post.
Collect everything your recorded music can earn: Pt. I
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians — if you know how to collect them. Read the post.
Maximize your royalties by submitting cue sheets
Music licensing for film, TV, movie trailers, video, and advertising generates lucrative sync licenses and even boosts your performance royalties — but only if you submit cue sheets. Read the post.
Should I copyright my song?
Per the Copyright Act of 1976, as soon as your song is in a fixed form, you own the copyright. So usually what people are talking about is registering the copyright when they ask, “Should I copyright my song?” Read the post.
Why you should use split sheets when writing and recording music
When writing and recording music, use split sheets to capture vital information and make sure you avoid legal disputes, boost promotion, and generate money-making opportunities. Read the post.
A look at the Music Modernization Act
Music creatives of all types, along with the entire digital music ecosystem, celebrated the signing of the Hatch-Goodlatte Music Modernization Act into law on October 11, 2018. Read the post.
Don’t miss out on SoundExchange royalties
SoundExchange has paid out more than $5 billion to its more than 155,000 members since its founding in 2000. Do you have SoundExchange royalties waiting for you? Read the post.
Crafting the right song demo can maximize the chances of having your music cut by major artists
Your song has to be great for you to have a chance at landing a cut with a major artist, and your song demo has to hit the right notes, too. Read More.
Are you writing for an audience of one, or one million? Mailbox Money, Part 4
If you’re hoping to land a cut, there’s one listener who definitely must connect with your song: the artist you’re pitching to. That’s your first listener, the one who will hear it before the masses. Read More.
The song pitch: 9 tips for getting your songs heard by major artists
We spoke to a music industry veteran to get 10 tips on how to perfect your song pitch and maximize your chances of major artists hearing – and possibly recording – one of your original songs. Read More.
Landing a cut can jump-start your music career: Mailbox money, Part III
Being a performing artist isn’t the only way to make a living in the music business. Landing a cut can be a way to kick off your solo career, or it could be a way to long-term success as a songwriter. Read More.
The first steps to pitching your songs: Mailbox money, Part II
You may already have the makings of a network that can help you pitch your songs to other artists — maybe even signed artists. Do your homework. You might be sitting on a mountain of contacts who could open doors of opportunity for you to earn some mailbox money. Read More.
Mailbox money: How cuts can increase your money-making potential
A “pitch” is when a song is presented to an artist in the hopes the artist will record it. When an artist records your song, it is commonly called a “cut.” When you get a cut, it can lead to a wonderful thing called “mailbox money.” Read More.