How to get better results mixing in your home studio
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
music production
How to record better tones in your home studio
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
Getting a great vocal take in the studio
Capturing the ultimate vocal performance can require push and pull between the producer and talent. The tact and technique of the producer plays a pivotal role in recording a great vocal take. Read the post.
Psychology and the music producer
From communicating, coaxing the best possible performance, and keeping an artist comfortable, a lot of a producer’s skills have little to do with recording techniques. Read the post.
Music producer deals [Video]
This post, excerpted from the video “Indie Producer Deals,” outlines the various options indie artists might have when it comes to hiring and working with a record producer. Read the post.
When it comes to vocal tuning, one size does not fit all
Choose the vocal tuning and pitch-correction tools, techniques, and workflow that will give your music the finished vibe you’re looking for. Read the post.
How to sequence an album for best results
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
Choose the right key for your songs
There are a lot of factors that play into choosing the right arrangement for a song — but choosing the right key for you and the musicians might be the most important. Read the post.
Fifth time’s the charm: The Carpenter’s smash hit, “Close to You”
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more.
Cover to cover: “I Heard It Through the Grapevine”
Not only does “I Heard It Through The Grapevine” hold the distinction of the being the first and last number one R&B song in 1968, it is the only song to have been a number one R&B hit for three artists. Read the post.
What multiple listens can reveal about a song
When learning a song or diving into ideas for music production, multiple listens to an inspiring track can help you discover arrangement and recording tricks that you can apply to your own music. Read the post.
Using a laptop onstage (without crashing your performance)
Considering using a laptop onstage to enhance your sound or visuals at gigs? These basic tips can help you minimize problems and keep your shows on track. Read the post.
How Stephen Stills turned an unreleased leftover into the smash hit “Southern Cross”
This is the second in a series that examines cover songs that went on to be huge hits, even though the original versions were mostly unknown. This post covers Crosby, Stills & Nash’s “Southern Cross.” Read the post.
Unlocking a hit song — Soft Cell’s “Tainted Love”
How did a forgotten 1965 B-side become a 1981 smash? “Tainted Love” had hidden elements that Soft Cell unlocked to turn it into an enduring (and often covered) hit song. Read the post.
The art of music arrangement: an interview with Dr. Richard Niles
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.