In part two of our DIY music business series, we focus on live music event roles. Learn how to leverage key services and expertise to help you delegate work so you can focus on creating and performing music. Read the post.
We hear from consummate indie artist Jim Infantino to get some real-world advice about cultivating relationships, merch and physical product, and being creative with how you survive as a musician in the 21st century. Read the post.
To create a show that packs the house, you have to do more than just play your recorded music live. You have an entire stage to create a spectacle that draws people in and makes an emotional connection. Read the post.
Building relationships, knowing what a booking agent is looking for, and being prepared when you call can help you master booking your act. Read the post.
By identifying and researching artists who are similar to you but have gotten more coverage and promotion, you’ll learn exactly where to focus your own music marketing efforts. Read the post.
When you take the stage, the music comes first — but wearing the right outfit can play a small (or not so small) part in helping you give a performance your music deserves. Read the post.
Watching yourself in a mirror while you perform or practice can help you elevate your music and performance, so find opportunities to gaze while you play and learn from what you see. Read the post.
Heartwarming stories, insane stories, tragic stories — anyone who has spent a life playing music has them. Whether a performer, manager, roadie… live music gigs are too unpredictable for there not to be some weirdness. Read the post
If you’re having trouble making the numbers work as you’re planning to hit the road with your band, think creatively about ways to earn more money on tour. Read the post.
Hitting the road can be a wonderful way to share your music, expand your fanbase, and have amazing experiences. But when you add up all the costs, it can be pretty expensive, so you’d better make a tour budget before you book those gigs. Read the post.
“Should my band play gigs for free?” has been asked a million times. Is any gig worth playing for free? Is it better not to play at all? Read More.
You’ve put together a great set of music and you’re ready to perform. How do you make a connection and impress a talent buyer to book you for a high-profile gig? Read More.
Here’s the strategy I used to book high exposure music gigs opening for Rick Derringer, Kenny Wayne Shepherd, Joan Jett, Fuel, and many others. This same method will work for booking gigs at local venues as well. Read More.
An input list should include every instrument, DI, and vocal that’s part of your stage set-up. Here are some tips to help you put together an effective input list with minimal headache. Read More.
Think you’ve told your live sound engineer everything he needs to know for your big gig? Don’t forget these important details. Read More.