Recording your own iconic versions of familiar Christmas carols or holiday songs might be the perfect way to catch the attention of new fans or thank your existing fan base with a free download or limited-edition CD. But don’t assume your choice is in the public domain. Read the post.
If you’ve established a proven stream of royalties, you can turn it into a lump sum of money that you can get today by using royalty auction services. Read the post.
On the heels of his YouTube series addressing copyrights and royalties, Tony van Veen solicited questions from you, our viewers and readers — and you responded. Here are answers to some of the copyright questions that are on your mind. Read the post.
Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Performing Rights Organizations aggregate the performing rights of writers and publishers and then negotiate licenses with all the users of music, collect the income from those licenses, and distribute that income. Read More.
Music licensing is a very lucrative business with no shortage of placement opportunities. As an independent music creator, you have the ability capitalize, but you have to be organized, flexible, patient, and willing to cater to the market’s needs. This is a different ball game when compared to creating music for an artist. Here’s some tips to help you better prepare yourself for licensing. Read more.
Songwriters – or more correctly, copyright holders – have always been compensated for the use of their songs, whether it was via traditional radio or new streaming services. With the rise of more and more new outlets for music consumption, master rights are an essential asset to leverage for artists and labels to earn money. Read more.
When striving to understand how the music licensing business operates, one key fact is that the music licensing marketplace determines value on a daily basis. What this means is that to make any money licensing your music, your songs must have value in the eyes of the marketplace. The following qualities will help determine a piece of music’s relative licensing value. Read more.
To develop an adequate understanding of the path to earning money with your original music, four essential areas make up the key foundational knowledge, and we’ll explore them in three posts. In this first post, we’ll look at the different copyrights and the basic blueprint for how revenue is generated by licensing your music. Part two will address creating value and earning income through licensed music. In part three, we’ll explore the diversity of buyers for original music, and the all-important connections you will need to develop to begin to make money from your original music. Read more.
If you are an aspiring songwriter, the promise of earning a steady stream of music royalties from the use of your songs is just that – a promise. Assuming that you’ve written songs that have the potential to attract an audience, and likewise a potential user of your songs (a licensee), understanding the numerous avenues available to license your original song is the next step on the road to earning money from your compositions. Read more.
Any time you reproduce and distribute a recording of a composition you did not write – and that is not in the public domain – you need a mechanical license. Mechanical licenses are issued by the owner or controller of the composition, typically publishers, acting on behalf of songwriters or composers. Basically, this is a royalty payment to the songwriter (or more correctly, the copyright owner) for allowing you the use of the composition. Read more…
Some people want to fill the world with silly love songs … and what’s wrong with that? If you’re planning to use a previously written composition in your efforts, though, you may want to ask: “What constitutes a public domain composition?” Read More.