Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians if you know how to collect them. Read the post.
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians — if you know how to collect them. Read the post.
Music creatives of all types, along with the entire digital music ecosystem, celebrated the signing of the Hatch-Goodlatte Music Modernization Act into law on October 11, 2018. Read the post.
SoundExchange has paid out more than $5 billion to its more than 155,000 members since its founding in 2000. Do you have SoundExchange royalties waiting for you? Read the post.
Copyright termination is giving music artists the opportunity to reclaim the rights to their songs. The stories of Duran Duran, Paul McCartney and The Village People’s Victor Willis tell the tale. Read More.
Songwriters – or more correctly, copyright holders – have always been compensated for the use of their songs, whether it was via traditional radio or new streaming services. With the rise of more and more new outlets for music consumption, master rights are an essential asset to leverage for artists and labels to earn money. Read more.
Some people want to fill the world with silly love songs … and what’s wrong with that? If you’re planning to use a previously written composition in your efforts, though, you may want to ask: “What constitutes a public domain composition?” Read More.