How to sequence an album for best results
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
inspiration
Surprise ‘em with the major mediant chord
While the mediant (iii chord) isn’t as structurally integral as the tonic, dominant , or subdominant, employing it can provide an unexpected surprise that will make listeners’ ears perk up every time. Read the post.
Re-arranging big songs for solo performance
Whether you’re dancing on piano keys or dreaming on acoustic guitar, reimagining your favorite songs for solo performance with just you, your voice, and a single instrument can be as fun as it is challenging. Read the post.
The case for playing every style of music
While it might be impossible to play EVERY style of music there is, you can gain confidence, experience, and new ideas playing in musical genres outside of your regular routine. Read the post.
Use the zesty Neapolitan chord in your songs
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Add natural vocal effects to your songs
From breathy voice to falsetto, vocal fry to belting and vibrato, vocal effects can be used to add variety and spice to your songs. But, be careful not to overuse these vocal effects. There should always be a reason you’re using a specific vocal effect. Read the post.
The importance of merch for today’s working musician
Being blind hasn’t stopped Joey Stuckey from living a life of intention, joy, and music-making. He also helps design and sell his merch, which is a big part of his revenue stream as an indie artist. Read the post.
What do you want from a vocal coach?
Johnny Dwinell and Brent Baxter interview Salt Lake City-based A-list vocal coach Mindy Pack to discuss vocal health, vocal technique, and various critical topics that relate to improving your vocals. Read the post.
Songwriting tips from the Beatles’ “Help!”
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
Falsetto, vibrato, and other natural vocal effects you should master
Natural vocal effects are one of the best ways to stand out as a singer. These five vocal effects add variety and flavor to your music. Read the post.
Stop saying your songs are “great”
If the market decides your songs are forgettable, then guess what? Your songs are forgettable. If the market, the listeners, decides that your new album is not worth their time… they’re right. They get to decide if your songs are great. Read the post.
Fifth time’s the charm: The Carpenter’s smash hit, “Close to You”
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more. Read the post.
Using suspended chords in your songwriting
Suspended chords offer more than just a frilly little something to add to your music. They work as substitution chords, they can smooth out chord progressions, and they can add tension to your music. Read the post.
Channeling emotions: how to play it when you’re not feeling it
Just as actors channel emotions and use what they are feeling to enhance and inform their acting choices, you can do the same to enhance your musical performances on stage and in the studio. Read the post.
Cover to cover: “I Heard It Through the Grapevine”
Not only does “I Heard It Through The Grapevine” hold the distinction of the being the first and last number one R&B song in 1968, it is the only song to have been a number one R&B hit for three artists. Read the post.