Paul McCartney’s basslines are an integral part of the Beatles’ evolution from world-beating pop band to musical pioneers. We identify just what McCartney did to make his parts stand out from what other bassists were doing at the time. Read the post.
Study up on the Mixolydian Mode, queue up a nice Mixo chord progression, and you’ll see why guitar masters like Eddie Van Halen, Angus Young, and Duane Allman all love Mixo-Dorian Blues. Read the post.
In music, a mode is a formula for creating a musical scale. The Ionian (major) formula is W–W–H–W–W–W–H. The Lydian formula (W–W–W–H–W–W–H) can give your melody or progression an uplifting and yearning feeling. Read the post.
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
![Scott McCormick is a musician and the author of the Mr. Pants series of graphic novels for kids. His new audiobook, Rivals! Frenemies Who Changed the World, has been described as “drunk history for middle-grade kids” and is available on Audible. Scott can be reached at storybookediting@gmail.com. [hana-code-insert name='Guide Songwriting' /]](https://blog.discmakers.com/wp-content/uploads/2018/12/SongEnding_Facebook-440x230.jpg)
The fade out, the cold ending, the endless loop, the key modulation… there are so many approaches to a song ending — at least on record — so, how are you gonna do it? Read the post.
As an independent music artist, you’ve got a few seconds — at most — to reel a listener in to your single or lead-off track. Here are some strategies to craft a song intro that will make your listeners pay attention. Read the post.
In part two of our series, we break down two more iconic songs from the Rolling Stones’ library: 1966’s “Under My Thumb” and “Ruby Tuesday.” Read the post.