Last week, Echoes published an article about my unexpectedly unplugged and unamplified live music performance at an outdoor festival. The entire band had to make adjustments to accommodate the requirements of the gig – and drummer Rob Mitzner, in particular, relied on a setup he’s customized just for such circumstances. Read more.
I had thought that, even though the gig was outdoors, we would have no problem plugging in amps and instruments. Many parks have outlets tucked away inside lamp posts and maintenance buildings, accessible for public events. As we moved closer to the date, we discovered the city would not in fact turn on the juice. Read more.
When jazz pianist Vijay Iyer scheduled the New York City release show for his 2015 album Break Stuff, he didn’t choose a standard venue. Iyer’s concert was staged in the Metropolitan Museum of Art, and Iyer isn’t the first artist to eschew traditional clubs and concert halls in favor of more unique performing grounds. Read more.
In “Tales of the worst music gigs ever,” we shared a handful of on-the-gig horror stories and lessons learned from them. While those stories were all wrenching in their own rights, here is one from New York bassist Dmitry Ishenko that stands in a category of its own. Read more.
Every musician has stories of the best gig ever, that performances where the music, the crowd, and the stars aligned. Then there’s those other times when nothing goes right. Gear explodes, drunks attack, people vanish… But even the worst gigs can be valuable learning experiences. Read more.
Nearly every touring musician has at least one story about load-in or breakdown gone awry — that emotionally scarring gig where the venue promised a full drum kit but only delivered a broken snare drum, the festival slot when you expected fifteen minutes to set up but only got fifteen seconds, or that sickening post-gig moment when you realized your vintage Les Paul had grown legs and walked out of the club, all by itself. Read more.