You’ve finished the audio mix for your latest song. Your audio mix sounds pretty good in your home studio, but when you play the song on your iPod or in the car, you notice one or two bass notes always sound super loud, even though you’ve applied compression on the bass track to try and prevent this very problem. Read more.
MIDI, or Musical Instrument Digital Interface, is a language by which computers, virtual instruments, and hardware samplers/synthesizers can communicate. There are a lot of unfamiliar terms and concepts in the MIDI world, so let’s take a look at a few questions that I typically hear from first time users. Read more.
A microphone that picks up sound from the front and back is called bi-directional, or a Figure 8 mic, and there are several cool things you can do with them. Read the post.
Backstage is a new program from Disc Makers that offers exclusive deals on music gear and provides member-only access to discounts on services such as gig booking and post-production mastering, plus plenty of other special offers created for the independent musician. Read more.
Recording your own music can be an amazing and challenging experience. Case in point, your band’s newest tune is begging for a raucous fiddle solo or a cool cello line, and none of you have worked with either sort of instrumentalist before. How do you find the right player? Read more.
So you want a killer home recording studio that can deliver great sounding tracks and not break the bank? Graham Cochrane lets you know exactly how to do that in this rundown of the five essential pieces of recording equipment you need in your home studio setup. Read more.
Microphones are among the most important things in a studio’s arsenal – but don’t get caught up in the “more money equals better quality” syndrome when purchasing a home studio microphone. Like a camera lens, there are microphones that are good for wide angles, others for narrow focus, and there are those that have a vintage feel to them. No mic/pattern combination works for everything. Read more.
There’s always something your studio could use to improve work flow and functionality. Gibson’s Craig Anderton fell in love with these six home studio accessories this year. These goodies have stood out over the past year as essential for his studio, and they can contribute to any studio makeover or holiday wish list. Read more.
Mixing drums can be challenging at times, so we’ve put together some tips and tricks to get a clearer, more polished mix in your home studio. Find out the best ways to compress a kick drum, EQ your snares, treat your percussion, and more. Read more.
Recording vocals in your home studio can be somewhat tricky, especially if the quality of your recording space doesn’t contend with a professional studio environment. However, there are plenty of solutions that can improve the quality of your vocal recordings. The room in which you record in will be as much a part of the recording as the singers voice. This can work in your favor and can also work against you. Read more.
As you prepare to self produce your next recording project, take time to study record production that inspires you. The role of a record producer is critical to any successful recording project, it’s the creative guidance and vision of what the finished recording will sound like that makes a producer most valuable. We take a look at tracks by Miranda Lambert and Beck. Read more.
The moment I was first introduced to computer-based recording, I saw the potential for recording millions of takes. At first it made sense to me to just record as much as you can and then pick the best takes later. But over the years I have come to realize how much of a hindrance this philosophy was, rather than a help. I believe that having unlimited takes and hard drive space has made us lazy. We’ve lost that sense of urgency to try to perform our best in the studio and capture a great recording in a few takes. Read more.
If you’re preparing to set up a home recording studio, this article can help you better understand some of the basic elements regarding the audio interface with your computer or DAW. These concepts can get very complex, but this post will focus on some of the more basic points about the subject. Here are nine questions you should ask when comparing audio interface options. Read more.
A little extra effort spent on avoiding unnatural sounds when mixing synths with acoustic instruments, improving expressiveness, and tightening timing inconsistencies can help you get the most out of your virtual synths. Read More.
I have sort of an irreverent attitude, so I’ve been inclined to do things that were supposed to be wrong. I always like using cheap or ancient, wheezing gear along with the usual pro gear, because I really think the “action” sound comes from musically effective distortion. Sometimes this oddball gear makes a bold sonic statement you just can’t get any other way. I like tape delays, for instance a [Roland] Space Echo, especially if the tape has a little crease in it. Read More.