Anyone shopping for a new podcasting microphone, or a voiceover microphone, or even a studio vocal microphone should know that the broadcast industry has relied on a very small handful of mics for the past 30 years. Broadcasters know something that you might not: how to get a great vocal sound. Read more…
This time around we’re going to highlight several very cool, best-in-class combo amps — so before we get down to brass tacks, let’s get some quick background:
The term ‘combo’ in amp-speak simply means the speakers and electronics are ‘combined’ in the same cabinet. This is opposed to a head and separate speaker cabinet ‘stack’. Both have inherent pros and cons: the combo is simple, straightforward and compact. Read more…
Many people have a limited budget this year to upgrade their home recording systems. Because of that, it’s helpful to prioritize what is the most important element you need or would benefit from upgrading. If you consider your entire home recording system as 100% of your sound, assuming that you already have a digital audio recording system, then as much as 50% of your sound comes from the quality of the microphone you use. When you purchase your first really nice microphone, you’ll be surprised at what a difference in the overall recording quality it makes. Read more…
Amazing guitar tones start with the player. Recording a great song with a good player is always key, but there are other elements that contribute to amazing guitars tones. Read the post.
No matter what you call it, ‘whammy bar,’ ‘trem bar,’ or whatever, there’s only one (IMHO anyway) that’s stood the test of time for over half a century and remained the arbiter of cool: the Bigsby. Exuding an old-school vibe that still resonates today, the Bigsby Vibrato adds classic functionality to many an electric guitar. Read more…
Moving a new, alternative instrument into the mainstream is a truly arduous task. Most attempts, in fact, will fail. It is not surprising that in over 35 years on the market that the Chapman Stick® is not yet a household name. It took the saxophone over 100 years to achieve that mark. Yet, The Stick® has made steady gains. No one who has seen it, it seems, ever forgets it! Read more…
The Internet offers a direct link between your desktop studio and the software and hardware vendors who power it.
Manufacturers’ websites offer a wealth of information about upcoming releases, bug fixes, tips, and more. I make it a habit to log on to key sites about once a week. On more than one occasion, I’ve found an update online that hadn’t yet been announced in the press. Read more…
There are some astounding values placed on vintage instruments and recording equipment these days.
A 1958 Stratocaster in excellent condition, for example, may fetch as much as $25,000. Vintage recording devices from bygone years may also be valued at $10,000 or more for the most coveted items, such as rare German tube mics or broadcast limiters. For the vast majority of people, these prices put items like this out of consideration. Read more…
Virtually all of today’s home recording digital audio interfaces allow easy connection of microphones as well as various high impedance sound sources such as an electric guitar, bass or keyboard. But are you really getting the best possible sound quality plugging your instrument directly into these interfaces? This month we’ll do a test recording of bass guitar using a typical digital audio home recording interface, and then add a direct box into the equation to see what difference, if any, such a device makes in the quality of the sound. Read more…
We took three drum mic packages into the studio for a live showdown.
Although most engineers will tell you they select microphones based on the type of instrument or the tonal quality of a particular instrument, we all have a trusted set of “go to” mics when it comes to recording drums. In the last few years, many microphone manufacturers have grouped sets of drum mics into affordable, easy-to-use packages for both the studio and live performances. This month we put three sets of drum mic packages through their paces to test what kind of performance you can expect. Read more…
Step 1: New Heads
There is nothing like a new drum head to give you great tone to work with. I prefer the sound I get from thinner heads such as Remo’s Diplomat, FD and Thin/FD lines. The disadvantage to thinner heads is that they tend to wear out quickly. A general-duty head, such as Remo’s Ambassador line, will last longer and, if new, should sound nearly as good. For recording purposes, avoid heavy-duty heads, such as Remo’s Emperor, PinStripe, PowerStroke, and the Black, Clear or White Dot series. These are all great heads, but they are designed more for live performance and tend to constrict the sound, making it a bit flat sounding instead of bright and exciting. Read more…
Brian gives us a tour of the SoundLab’s largest room, the Orange Room. Highlights include designer diffuser panels, high-end EQs, two 400 watts/channel amps, top-notch speakers, and a 50-inch plasma screen. Watch video.
Join Brian as he gives us a tour of the SoundLab’s Blue Room. The room, the gear, and the monitoring system work together to create a top-notch listening environment. Watch video.