We’ll help you plan and organize all the events and decisions that go into making an album — from day one in the studio to your continuing sales and promotion efforts. Read the post.
If you focus too much of your work on a single instrument in a complex arrangement, you likely will miss the fact that even if you have improved the sound of that one instrument, everything else may have been impacted negatively. Get the mix you want, mix down to a stereo file, and then perform mastering as a separate last step. Read more.
Beyond songwriting, the fact is visuals really matter, so press photos and all your visual material shouldn’t be an afterthought. Enticing photos, videos, album art, and graphic design will go a long way toward getting attention and will help to establish your brand and get people to pay attention and listen to your music. Read more.
A band press kit is an encapsulation of who you are as an artist. These days, of course, there are multiple options for your press kit, including venues to host an Electronic Press Kit. Not to mention that your website is really a press package with an endless bottom which you can fill with your most current content. Read more.
The process of transforming your musical ideas into a finished product you can share and sell begins with your audio recording sessions and continues through to the delivery of your packaged CDs or vinyl records. The choices you make at each step affect the quality of your final product, so familiarizing yourself with this process at the earliest stages will help you produce the best possible results. Read more.
Most bands do a traditional media campaign (newspapers, magazines, radio), as well as a new media campaign (podcasts, music blogs, MP3s). Music publicity is not just compiling lists and following steps mechanically, it should be fun and is a chance to channel the same creativity you put into your music to build a buzz. Read more.
When deciding how to prepare and submit your audio master for CD manufacturing, there are several format options to choose from. A complete body of work on a CD-R, individual audio files such as WAV or AIFF (with any variety of bit-depths and sample rates), and DDP 2.0 file sets are the most popular formats. An analog reel to reel master or DAT (digital audio tape) also provides high quality, though used less frequently with the advent of newer digital options. Read more.
When you hear the words “repair” and “restoration,” you might be inclined to think of dusty vaults filled with aging master tapes and records. Some audio repair and restoration projects involve taking old recordings and reviving them, and the same methods and tools used for those projects can be used for a wide range of scenarios. Every time you record audio, there’s always the chance of encountering unexpected and unwelcome audio “guests.” Read more.
The primary goal of audio mastering is fairly simple: prepare a recording for distribution and ensure it sounds better going out than it did coming in. Read more.
What is dithering?
In your English class, to "dither" means to act nervously or indecisively. When we’re talking about digital audio and home studio recording, dithering is the process of adding noise to the audio signal. Adding noise, you say? Why would you want add noise? Basically, it’s a trade — low-level hiss in exchange for a reduction in distortion when you convert 24 bit to 16 bit audio to transfer to a CD. Read more.
If you sing without a vocal warm up, you can encounter all sorts of problems. Warming up is very much about relaxing and preparing the muscles and mechanisms for what they are about to do, and it is also about getting your mind and body into the flow of breathing correctly – which will ultimately help you sing better.
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Any time you reproduce and distribute a recording of a composition you did not write – and that is not in the public domain – you need a mechanical license. Mechanical licenses are issued by the owner or controller of the composition, typically publishers, acting on behalf of songwriters or composers. Basically, this is a royalty payment to the songwriter (or more correctly, the copyright owner) for allowing you the use of the composition. Read more…