Audio mastering for vinyl

If the music program is sibilant overall, the audio can be cut at a lower amplitude, which can help with the distortion caused by the high frequency information. The result, though, is a vinyl record that’s at a lower level, and the surface noise will be more prominent – not to mention, it’s not going to be comparable to other vinyl albums. Read more.

From mastering audio to manufacturing: the steps in CD production

Audio Mastering GuideThe process of transforming your musical ideas into a finished product you can share and sell begins with your audio recording sessions and continues through to the delivery of your packaged CDs or vinyl records. The choices you make at each step affect the quality of your final product, so familiarizing yourself with this process at the earliest stages will help you produce the best possible results. Read more.

Format options for your audio master

audio master formatsWhen deciding how to prepare and submit your audio master for CD manufacturing, there are several format options to choose from. A complete body of work on a CD-R, individual audio files such as WAV or AIFF (with any variety of bit-depths and sample rates), and DDP 2.0 file sets are the most popular formats. An analog reel to reel master or DAT (digital audio tape) also provides high quality, though used less frequently with the advent of newer digital options. Read more.

Planning your album: your CD release (and post-release)

CD release tipsIf you’re sitting down to tackle making an album, there’s a lot to think about; from clearing the rights for your cover songs to converting the cover art to the right format. When you get your manufactured CDs in hand, there are still a lot of things you need to do – namely, releasing the album for sale to the public. While your music is at the heart of what you do, your identity, image, brand, website, web presence, merchandise, and publicity is what you use to connect with your fans. Randy Chertkow and Jason Feehan have revised our popular Planning Your Album From Beginning To End guide. Here’s an excerpt from the revised guide. Read more.

Planning your album: get permission for art, text, and cover songs

planning your album guide Before we can mass produce copies of your disc, there are a few legal issues to clear first. You are required to sign a release form declaring that all the music on your album is original and “owned” by you. If all your music is original, you’ll check that box and move on. However, if you record any cover songs or incorporate any copyrighted samples or loops, you have to provide proof that you received the proper permissions. Read more.

Audio repair and restoration: tools of the trade

Audio repair and restoration with RX 3 When you hear the words “repair” and “restoration,” you might be inclined to think of dusty vaults filled with aging master tapes and records. Some audio repair and restoration projects involve taking old recordings and reviving them, and the same methods and tools used for those projects can be used for a wide range of scenarios. Every time you record audio, there’s always the chance of encountering unexpected and unwelcome audio “guests.” Read more.

Dithering – adding “good noise” to improve your home recordings

DitheringWhat is dithering?
In your English class, to "dither" means to act nervously or indecisively. When we’re talking about digital audio and home studio recording, dithering is the process of adding noise to the audio signal. Adding noise, you say? Why would you want add noise? Basically, it’s a trade — low-level hiss in exchange for a reduction in distortion when you convert 24 bit to 16 bit audio to transfer to a CD. Read more.

Licensing FAQ – presented by Disc Makers and Limelight

Any time you reproduce and distribute a recording of a composition you did not write – and that is not in the public domain – you need a mechanical license. Mechanical licenses are issued by the owner or controller of the composition, typically publishers, acting on behalf of songwriters or composers. Basically, this is a royalty payment to the songwriter (or more correctly, the copyright owner) for allowing you the use of the composition. Read more…