Creating song split sheets in 10 easy steps
Musician, author, educator, and music industry consultant Bobby Borg lays out the process of creating a simple, functional song split sheet. Read the post.
copyrights
When should a producer get a publishing split?
While a producer may get points on your sound recording, is he or she entitled to a share of the composition (songwriting) royalties? It depends on how they’ve contributed. Read the post.
What are music producer points?
A music producer can be an essential part of the creative process, but make sure you know how the compensation structure works before you start your project. Read the post.
Make your music easy to license for TV, ads, and film
To license your music, you need to understand the role of the music supervisor as well as how to prep your music. Follow these steps to increase your chances of getting your music licensed. Read the post.
Focus on making more money from music this year
Here are 10 posts from the Randy Chertkow and Jason Feehan (AKA The Music Money Guys) that will help you make more money with your music in 2020. Read the post.
Should I copyright my song?
Per the Copyright Act of 1976, as soon as your song is in a fixed form, you own the copyright. So usually what people are talking about is registering the copyright when they ask, “Should I copyright my song?” Read the post.
Six legal pitfalls to avoid in your music career
Avoid these tax and legal pitfalls as you launch your music business and navigate the industry as a songwriter and creative. Read the post.
Why you should use split sheets when writing and recording music
When writing and recording music, use split sheets to capture vital information and make sure you avoid legal disputes, boost promotion, and generate money-making opportunities. Read the post.
A look at the Music Modernization Act
Music creatives of all types, along with the entire digital music ecosystem, celebrated the signing of the Hatch-Goodlatte Music Modernization Act into law on October 11, 2018. Read the post.
Work For Hire agreements from a musician’s perspective
In a follow up to our Work For Hire post that looked at these agreements from the producer’s perspective, this post gives advice to musicians being asked to perform/record and sign a WFH contract. Read the post.
Work For Hire agreements: The producer’s perspective
If you’re hiring musicians (or other contributors) to work on a music project, these tips from a music industry lawyer can help you navigate a Work For Hire agreement. Read the post.
How cue sheets help you get paid for TV and film placements
A cue sheet is a written synopsis of the music used in a production and is one way to ensure all the stakeholders in a song are compensated adequately. Read More.
Copyright termination: McCartney, Duran Duran, and the YMCA.
Copyright termination is giving music artists the opportunity to reclaim the rights to their songs. The stories of Duran Duran, Paul McCartney and The Village People’s Victor Willis tell the tale. Read More.
Music news: Happy Birthday’s disputed rights, vinyl vs. streaming, and the last CD-R for Taiyo Yuden
“Happy Birthday To Me:” a complicated history – and future – for the world’s simplest song; vinyl sales continue to make headlines, with sales generating more revenue than free Spotify, YouTube, and VEVO combined; JVC and Taiyo Yuden to stop producing optical media – FalconMedia remains a reliable option. Read more.
So you want to be a music supervisor?
A music supervisor’s job is to find, place, and link music with multimedia based projects that need outside music. In order to become a music supervisor you must be knowledgeable about music licensing, have a grasp on the different industries that are in need of music, and possess excellent networking skills. Read more.