Focus on making more money from music this year
Here are 10 posts from the Randy Chertkow and Jason Feehan (AKA The Music Money Guys) that will help you make more money with your music in 2020. Read the post.
copyright
What can you learn from Taylor Swift’s master rights predicament?
Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Collect everything your recorded music can earn: Pt. II
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians if you know how to collect them. Read the post.
Collect everything your recorded music can earn: Pt. I
Music revenue streams that were once only available to the traditional music industry are now available to independent musicians — if you know how to collect them. Read the post.
Maximize your royalties by submitting cue sheets
Music licensing for film, TV, movie trailers, video, and advertising generates lucrative sync licenses and even boosts your performance royalties — but only if you submit cue sheets. Read the post.
Should I copyright my song?
Per the Copyright Act of 1976, as soon as your song is in a fixed form, you own the copyright. So usually what people are talking about is registering the copyright when they ask, “Should I copyright my song?” Read the post.
Six legal pitfalls to avoid in your music career
Avoid these tax and legal pitfalls as you launch your music business and navigate the industry as a songwriter and creative. Read the post.
Why you should use split sheets when writing and recording music
When writing and recording music, use split sheets to capture vital information and make sure you avoid legal disputes, boost promotion, and generate money-making opportunities. Read the post.
A look at the Music Modernization Act
Music creatives of all types, along with the entire digital music ecosystem, celebrated the signing of the Hatch-Goodlatte Music Modernization Act into law on October 11, 2018. Read the post.
Don’t miss out on SoundExchange royalties
SoundExchange has paid out more than $5 billion to its more than 155,000 members since its founding in 2000. Do you have SoundExchange royalties waiting for you? Read the post.
Work For Hire agreements from a musician’s perspective
In a follow up to our Work For Hire post that looked at these agreements from the producer’s perspective, this post gives advice to musicians being asked to perform/record and sign a WFH contract. Read the post.
Work For Hire agreements: The producer’s perspective
If you’re hiring musicians (or other contributors) to work on a music project, these tips from a music industry lawyer can help you navigate a Work For Hire agreement. Read the post.
3 steps to get your songs in music libraries
For indie musicians and songwriters who don’t yet have connections in publishing and licensing, music libraries are one way you can seek music licensing opportunities. Read the post.
5 things you should do before you seek a music licensing deal
These five steps might not be fun or glamorous, but they’re necessary if you’re serious about seeking a music licensing deal. Read More.
How cue sheets help you get paid for TV and film placements
A cue sheet is a written synopsis of the music used in a production and is one way to ensure all the stakeholders in a song are compensated adequately. Read More.