How does sync licensing work?
In video number seven in our ongoing series on rights and royalties, Tony van Veen digs into sync licenses. How does an indie musician get in on the action, and how do sync licenses work? Read the post.
copyright basics
Your copyright and royalty questions answered
On the heels of his YouTube series addressing copyrights and royalties, Tony van Veen solicited questions from you, our viewers and readers — and you responded. Here are answers to some of the copyright questions that are on your mind. Read the post.
I own the sound recording of my song… how do I make money?
In our third video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen discusses what royalties and payments you are entitled to if you own and exploit the sound recording of your song. Read the post.
Should you “officially” copyright your music?
In our second video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen talks about registering your song for copyright. Should you do it? Read the post.
Understanding music rights and royalties
Disc Makers’ CEO Tony van Veen has started a new video series aimed at answering your questions about copyrights, how you’re paid for them, and what you need to do to collect your royalties. Read the post.
Music publishing for 2nd graders
A friend of mine wanted me to explain music publishing and he asked me to “use language a 2nd grader would understand.” I figured this could serve our blog readers who need a primer (or refresher). Enjoy! Read the post.
License your music (and generate revenue)
Excerpted from our latest guide, this post gives an overview of what music licensing is and lays out five things you can do to boost your chances to license your music. Read the post.
Focus on making more money from music this year
Here are 10 posts from the Randy Chertkow and Jason Feehan (AKA The Music Money Guys) that will help you make more money with your music in 2020. Read the post.
Six legal pitfalls to avoid in your music career
Avoid these tax and legal pitfalls as you launch your music business and navigate the industry as a songwriter and creative. Read the post.
Work For Hire agreements from a musician’s perspective
In a follow up to our Work For Hire post that looked at these agreements from the producer’s perspective, this post gives advice to musicians being asked to perform/record and sign a WFH contract. Read the post.
Work For Hire agreements: The producer’s perspective
If you’re hiring musicians (or other contributors) to work on a music project, these tips from a music industry lawyer can help you navigate a Work For Hire agreement. Read the post.
How Bands and Co-Writers Divide Percentage Shares in a Song
What does copyright law say about your rights when an original idea is formed between two or more people? Here’s how some co-writers divide percentage shares in a song. Read the post.
Copyright basics: exclusive rights, licensing lingo, and more
So you’ve written a new song. It may have the potential to be a hit, but one thing is certain: it makes sense to properly protect your song if you hope to profit from its recording and public performance. How do music copyrights work? What is required to have ownership of your song’s copyright? Why should you register it with the Library of Congress? What are some of the common music licenses that generate income for songwriters? Read more
Public Domain and Copyrighted Works: Mechanical Licensing for Silly Love Songs
Some people want to fill the world with silly love songs … and what’s wrong with that? If you’re planning to use a previously written composition in your efforts, though, you may want to ask: “What constitutes a public domain composition?” Read More.