In part three of our series on making money with your songwriting and recording, we explore ideas to restructure how you record music so you can make more money from the recording process. Read the post.
One approach to making money with music is to focus on business customers. Check out these revenue streams which don’t require any audience or fans. Read the post.
The new Mechanical Licensing Collective collects digital audio mechanical royalties from download and streaming services. Learn about the collective and see if you qualify to sign up so you can receive these new music royalties. Read the post.
If you’ve established a proven stream of royalties, you can turn it into a lump sum of money that you can get today by using royalty auction services. Read the post.
On the heels of his YouTube series addressing copyrights and royalties, Tony van Veen solicited questions from you, our viewers and readers — and you responded. Here are answers to some of the copyright questions that are on your mind. Read the post.
In our sixth video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen discusses neighboring rights and SoundExchange, the organization that tracks and pays those royalties. Read the post.
In our fifth video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen discusses performance royalties, the PROs (ASCAP, BMI, and SESAC) who collect them, and why you’re probably not getting all you deserve. Read the post.
In our fourth video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen discusses mechanical royalties — the money that gets paid to the songwriter or publisher for the “reproduction of your song.” Read the post.
In our third video about music copyrights and royalties, Disc Makers’ CEO Tony van Veen discusses what royalties and payments you are entitled to if you own and exploit the sound recording of your song. Read the post.
Disc Makers’ CEO Tony van Veen has started a new video series aimed at answering your questions about copyrights, how you’re paid for them, and what you need to do to collect your royalties. Read the post.
A friend of mine wanted me to explain music publishing and he asked me to “use language a 2nd grader would understand.” I figured this could serve our blog readers who need a primer (or refresher). Enjoy! Read the post.
Music licensing for film, TV, movie trailers, video, and advertising generates lucrative sync licenses and even boosts your performance royalties — but only if you submit cue sheets. Read the post.
For indie musicians and songwriters who don’t yet have connections in publishing and licensing, music libraries are one way you can seek music licensing opportunities. Read the post.
These five steps might not be fun or glamorous, but they’re necessary if you’re serious about seeking a music licensing deal. Read More.
Performance rights organization BMI reports new records for royalty distributions and revenue for the fiscal year. ASCAP is taking a firm stand against Pandora Internet Radio, claiming that “the rights of songwriters are under attack” and asking songwriters to sign an online petition. It’s the 20th anniversary of Nirvana’s In Utero, and among the items included in the new box-set is a four-page letter from producer Steve Albini. “I would like to be paid like a plumber,” he writes. Read more.