Recognize the signs and control your activities before, during, and after a studio session to minimize ear fatigue and get your best results from your recording. Read the post.
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
So much about recording saxophone and other reed instruments depends on the player, the room, the mics, the style of play, and how the track fits into the song overall. Here are some recording tips from a veteran producer. Read the post.
Bobby Borg talks with Maurizio De Togni to compare Avid’s Pro Tools software with Apple’s Logic Pro based on price, usability, and compatibility — with a focus on the independent artist. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses mics, mic placement, and different techniques for recording a great bass tone for every music genre. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses piano miking techniques on different instruments in different settings to get the tone you need for the situation. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a kick drum in your studio. Read the post.
Producer/engineer/studio owner Jon Marc Weiss discusses miking techniques when recording a snare drum along with a full drum kit. Read the post.
From stereo placement to EQ, busing to reverb, veteran music producer and engineer Jon Marc Weiss gives pro advice and insights on how to manage your mix in your home studio. Read the post.
From potato chips to preamps, decoupling to drum heads, these 13 tips can help you get better tones when you’re recording in your (not-acoustically pristine) home studio. Read the post.
From communicating, coaxing the best possible performance, and keeping an artist comfortable, a lot of a producer’s skills have little to do with recording techniques. Read the post.
This post, excerpted from the video “Indie Producer Deals,” outlines the various options indie artists might have when it comes to hiring and working with a record producer. Read the post.
Music arrangement might be the invisible art, but the results can spell the difference between a smash hit and a “nice” song. Dr. Richard Niles has a storied history as an arranger and shares some thoughts and insights in this interview. Read the post.
Excerpted from the 3rd edition of Disc Makers’ revised and expanded Home Studio Handbook, these basic recording tips will help you make the most of your studio time. Read the post.
When mixing music — in your home studio or a massive “A” room — cranking up the volume makes everything sound sweet. At least, until reality sets in. Read the post.