As we head out of the holiday fog to greet the new year, why not sign up for the RPM Challenge or February Album Writing Month and produce an entire album of new music in 28 days? Read the post.
With the right technology, strategies, and planning, indie artists can record and produce amazing music anywhere. Read the post
The fifth and final chapter in our series on maximizing music revenue with your songwriting and recording focuses on the various final versions and formats you can create and the different ways you can promote and earn money with them. Read the post.
In part three of our series on making money with your songwriting and recording, we explore ideas to restructure how you record music so you can make more money from the recording process. Read the post.
While Nashville tuning uses the same notes as a standard guitar tuning, used by itself and in layers with other guitars, this tuning can bring an articulate presence to a recording. Read the post.
In part two of our series on maximizing your recording studio income, we focus on the raw sounds you’ve created and how you can monetize them. Read the post.
We’ll help you plan and organize all the events and decisions that go into making an album — from day one in the studio to your continuing sales and promotion efforts. Read the post.
As a vocalist, there are techniques you can employ and routines you can follow to make sure you’re sounding your absolute best. Matt Ramsey gives advice on how to prepare your voice for a big recording. Read the post.
A return to regular activities might mean you’ll be stepping into a recording studio for the first time in many months. Keep these tips in mind as you prepare for your recording session. Read the post.
There are lots of common-sense things you should do as a vocalist to keep your instrument in top shape to perform, and as performance opportunities will be returning soon, it’s worth reminding ourselves of some of the basics. Read the post.
Recognize the signs and control your activities before, during, and after a studio session to minimize ear fatigue and get your best results from your recording. Read the post.
Over the next few weeks, I’ll dive into what points and when a producer should get point. But let’s start with the basics: What is the difference between a producer and an engineer? Read the post.
So much about recording saxophone and other reed instruments depends on the player, the room, the mics, the style of play, and how the track fits into the song overall. Here are some recording tips from a veteran producer. Read the post.
Bobby Borg talks with Maurizio De Togni to compare Avid’s Pro Tools software with Apple’s Logic Pro based on price, usability, and compatibility — with a focus on the independent artist. Read the post.
When you’re ready to add violin, cello, or other orchestral strings to your recordings, these tips will get you off the ground and help you communicate and harness the creativity of your collaborators. Read the post.