Liven things up with eleventh chords
Eleventh chords can provide lush texture to your songs, but they can be confusing. We’ve got charts and real-world examples to help you better understand these extended chords. Read the post.
Author: Scott McCormick
Add drama with a flat-six chord
The flat-six chord can add drama to your music, and with some exceptions, is best used sparingly in your songwriting. Read the post.
Sixth chords add moody complexity to your music
Sixth chords have an inherent lack of identity and purpose that can be riveting — a sixth chord can provide ambiguity, set curiously dark moods, and add a layer of complexity to your music. Read the post.
Ninth chords add ambiance to your compositions
There are many kinds of ninth chords, and they can be used in different ways. This post explores different kinds of ninth chords and how you can use them, with plenty of examples of their use in popular music. Read the post.
Use substitution chords to spice up your songs
Jazz musicians know and integrate substitution chords on a regular basis, but musicians who play other genres of music can also employ this concept to great effect. Read the post.
Get bluesy with Mixolydian and the Mixo-Dorian Blues
Study up on the Mixolydian Mode, queue up a nice Mixo chord progression, and you’ll see why guitar masters like Eddie Van Halen, Angus Young, and Duane Allman all love Mixo-Dorian Blues. Read the post.
Lift ‘em up with the Lydian Mode
In music, a mode is a formula for creating a musical scale. The Ionian (major) formula is W–W–H–W–W–W–H. The Lydian formula (W–W–W–H–W–W–H) can give your melody or progression an uplifting and yearning feeling. Read the post.
How to sequence an album for best results
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
What can you learn from Taylor Swift’s master rights predicament?
Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Surprise ‘em with the major mediant chord
While the mediant (iii chord) isn’t as structurally integral as the tonic, dominant , or subdominant, employing it can provide an unexpected surprise that will make listeners’ ears perk up every time. Read the post.
Use the zesty Neapolitan chord in your songs
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Songwriting tips from the Beatles’ “Help!”
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
Fifth time’s the charm: The Carpenter’s smash hit, “Close to You”
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more. Read the post.
Using suspended chords in your songwriting
Suspended chords offer more than just a frilly little something to add to your music. They work as substitution chords, they can smooth out chord progressions, and they can add tension to your music. Read the post.
Cover to cover: “I Heard It Through the Grapevine”
Not only does “I Heard It Through The Grapevine” hold the distinction of the being the first and last number one R&B song in 1968, it is the only song to have been a number one R&B hit for three artists. Read the post.