How to sequence an album for best results
Perfecting your song order when you sequence an album can mean the difference between a great artistic statement and a nice mixtape. Read the post.
Author: Scott McCormick
What can you learn from Taylor Swift’s master rights predicament?
Taylor Swift’s latest industry tussle raises lots of questions for music artists. Who’s right, who’s wrong, and most importantly, what can you learn so you can avoid having to fight for your master rights? Read the post.
Surprise ‘em with the major mediant chord
While the mediant (iii chord) isn’t as structurally integral as the tonic, dominant , or subdominant, employing it can provide an unexpected surprise that will make listeners’ ears perk up every time. Read the post.
Use the zesty Neapolitan chord in your songs
A touch of exoticism could be all you need to lift your song up from the mundane. The flat-second, a.k.a. Neapolitan chord, can be just the ticket. Read the post.
Songwriting tips from the Beatles’ “Help!”
Few popular songs meld music, lyrics, and theme as potently as the Beatles’ 1965 hit single, “Help!” Here’s how they did it. Read the post.
Fifth time’s the charm: The Carpenter’s smash hit, “Close to You”
Before and after the Carpenters scored a massive hit with “(They Long To Be) Close To You,” others tried, but they all seemed to miss what Richard Carpenter figured out: When you have a great melody, great lyrics, and a great singer — less is more.
Using suspended chords in your songwriting
Suspended chords offer more than just a frilly little something to add to your music. They work as substitution chords, they can smooth out chord progressions, and they can add tension to your music. Read the post.
Cover to cover: “I Heard It Through the Grapevine”
Not only does “I Heard It Through The Grapevine” hold the distinction of the being the first and last number one R&B song in 1968, it is the only song to have been a number one R&B hit for three artists. Read the post.
How Stephen Stills turned an unreleased leftover into the smash hit “Southern Cross”
This is the second in a series that examines cover songs that went on to be huge hits, even though the original versions were mostly unknown. This post covers Crosby, Stills & Nash’s “Southern Cross.” Read the post.
Unlocking a hit song — Soft Cell’s “Tainted Love”
How did a forgotten 1965 B-side become a 1981 smash? “Tainted Love” had hidden elements that Soft Cell unlocked to turn it into an enduring (and often covered) hit song. Read the post.
Two chords can make a song
These songs from decades past show us that, really, more is less. Let’s explore the magic of the bVII-I progression and how two chords can make a song. Read the post.
Sometimes, one chord is all you need
While it might be difficult to keep a song interesting if you limit it to one chord, it can also help create tension, highlight your lyrics, or drive a hypnotic groove. Read the post.
Using augmented chords in your songs
Augmented chords can add drama and tension, as shown in these examples from popular songs from the ’60s through the ’80s. Read the post.
The magic of Nashville tuning
While Nashville tuning uses the same notes as a standard guitar tuning, used by itself and in layers with other guitars, this tuning can bring an articulate presence to a recording. Read the post.
Mystery chords in “A Hard Day’s Night” and “London Calling”
Ever sit down to learn a song and find that no matter what chord you play, it’s just not the right one? We investigate two mystery chords in two classic songs. Read the post.