Estimated reading time: 10 minutes
Unless you’ve been living under a rock, you are most likely aware that CDs are not the dominant format they once were. But did you know that CD sales have increased worldwide in each of the last 5 years, and increased in the U.S. the last 3 years? As the public demand for physical media keeps growing and expanding, the audience for CDs is on an upward trend as well. As an independent artist or record label, it’s worth having the option to offer your customers. Since money is an object for most of us, the packaging for CDs that makes the most sense economically is CDs in jackets or sleeves. Here’s a guide for what goes into producing these jackets.
Table of Contents:
• Introduction to CD jacket printing
• Types of CD sleeves
• Designing an effective CD sleeve
• Practical considerations
• Sustainability and eco-friendliness
• Working with a CD sleeve printing provider
Introduction to CD jacket printing
The CD jacket is basically a smaller version of the classic single vinyl album package — one sleeve with a back and a front to print on. It’s classic, practical, timeless, and versatile.
What is a CD sleeve?
A CD sleeve or CD jacket is a form of flat packaging with a single pocket that has no plastic tray or extra panels.
Benefits of custom CD sleeve printing
The top benefit of having custom CD jackets printed is that you will have nice-looking, professionally printed packaging that makes your CD more attractive to potential purchasers. Aesthetically speaking, if you prefer a DIY look and approach, create your own packaging! But a custom-printed CD jacket from Disc Makers will be more durable than anything you can create on your own, and you can give your artwork a DIY feel while still having something that will protect your CDs and last for whoever buys them.
Types of CD sleeves
The two types of CD jackets are simple paper sleeves and cardboard jackets. Both serve a similar purpose, so it’s up to you to decide which you’d like to use for your album.
Simple paper sleeves
Sometimes basic is all you need! These simple paper sleeves come in a range of colors. They have a clear window so you can see the CD surface and protect the disc in the most basic way. You can buy them in bulk and put your CDs in them yourself if that’s your preference.
Cardboard jackets
A cut above the basic, cardboard jackets protect your CDs and can incorporate a 2-panel design (front and back cover). They are lightweight compared to jewel cases and can be professionally printed with either a gloss or a matte coating.
Designing an effective CD sleeve
Album covers are art unto themselves. There are entire books dedicated to album art! One of the most important decisions you will make in planning your release is what to put on the cover. This doesn’t have to break the bank; if you don’t have enough money to create your version of the Sgt. Pepper’s Lonely Hearts Club Band cover, don’t stress. A simple image that represents your music in a holistic, thematic way is more effective than something convoluted which costs a lot of money to design and shoot.
Planning layout and dimensions
Your cover is square. Plan accordingly! You might be surprised by how many artists don’t realize that they have to fit their cover image into a square. Using the whole square surface on a CD jacket is recommended because of its size.
Bleed safe area and trim lines
If you’re designing your jacket artwork yourself or supplying artwork done by a third-party designer, you or they will need to put the art into the proper templates for printing. This is true whether you work with Disc Makers or any other CD manufacturer. Make sure you don’t use one company’s templates for artwork submitted to another company, though! Each company has their own templates.
These templates will account for bleed and safety margin: an additional area outside the printable area to account for the automatic cutting process in commercial printing. Custom manufacturing is aimed at producing large numbers of a product; bleed and safety margin is provided so that the cutting does not have to be laser precise. You or your graphic designer should supply plenty of extended art through the bleed and safety margins. Don’t run the edges of your carefully chosen cover image too close to these margins or it will risk being cut off. Properly prepared bleed and safety ensure that what you want printed will come out on your final product.
Branding and visual identity
Your carefully chosen cover image should accomplish a few things. Mainly it should be a symbol or representation of the music contained on the CD within. If all of your songs are about trains, it intrigues the listener if there is a train on the album cover. If your album is about capturing the vibe of your hometown, it could have some kind of image that represents the town, be it the water tower of a small town or anyone of 50 iconic landmarks in a large city. As well, your cover art should identify your genre of music. In simplest terms: if you’re a metal band maybe some skulls and dark images, if you’re a psychedelic band some kind of tie-dye explosion of colors and shapes, and so forth. This is a simplistic example, for sure; there is no need to fall into clichés! Genre subversion is always interesting, but anything that can help your potential audience know where to attach you in their minds is helpful in attracting them. If you are a hybrid of styles, you can communicate that in your image.
Remember that your cover image should function as a source of your larger branding and visual identity across your merchandise, webpages, and social media. So pick something you don’t mind representing you everywhere, at least for the life cycle of the album promotion. Mindful consideration will pay off if you apply yourself to choosing something that resonates with you and your following. Again, don’t stress about it too much. Enjoy the process of selection and watch for random happenings that might give you a clue as to what to select. The Beatles’ iconic distorted view Rubber Soul album cover came as the result of a slide in a slide projector tray misaligning and distorting as they were viewing it. You never know what can happen!
Typography and readability
It’s all well and good to have custom-designed fonts that have amazing vibes, but if your audience can’t read them, then the purpose has been defeated. For a band just starting out, you should have your band name and album title on the cover, and it should be clearly legible as a tool for building your artist brand.
Make sure your potential audience knows who you are and what your album is called. This is especially important with CDs in jackets because there is no text on the spine to identify the artist and the album. If you are still against any text on the cover, at least put it on the back.
File setup and technical requirements
Here’s some basic information on what Disc Makers requires if you’re supplying your own artwork for CD jackets.
Resolution and color modes
All files should be at a minimum resolution of 300 ppi and in CMYK color mode. You can’t up-sample images (convert a low-res image into a high-res image) so the original image needs to be 300 ppi or higher. If the color mode is RGB, you or your designer need to convert it to CMYK before submitting.
File formats and export settings
Depending on which submission method you use, supplied artwork can be in a number of different formats. Finished PDFs with the artwork laid out in the proper templates can be directly uploaded. PDFs, JPGs, PNG, and files native to InDesign, Photoshop, and Illustrator can be supplied. Make sure you include all image files necessary for your artwork!
Practical considerations
In the old days they called this “getting down to brass tacks.” Here’s the practical side of how your CDs in jackets order can proceed.
Budgeting and cost factors
When planning your album release, you’ll need to allocate funding for the printing of physical product. How many you print and how much you want to spend on the artwork is entirely up to you and the demand for your product. It will cost money to shoot and design your cover, lay out the artwork in the proper templates, and manufacture the CDs and jackets. You’ll also want to invest in professional audio mastering to make your music sound its best. If you’re crowdfunding your project, you’ll want to include the design, manufacturing, and mastering costs in the tally of how much money you’ll need.
Minimum order quantities and scaling up
You have two options in ordering CDs: replicated CDs and duplicated CDs. Replicated CDs are manufactured in the factory using a stamper and are the longer-lasting, better-sounding approach if you have the money. Duplicated CDs are burned using a commercial CD burner (similar to the home versions everyone used to have) and are the cost-friendly option if you can’t afford replication. They don’t last quite as long and aren’t quite as professional-looking, although the on-disc printing will not be of lesser quality.
The minimum order for duplication is 100 and the minimum order for replication is 300. Your best price break for replication starts at 1000 and for duplication starts at 300. The more you can afford to order, the better the price per unit will be. However, it doesn’t pay to order CDs that will just sit around your house. Plan your quantity order in accordance with how many you will be able to sell and/or need to give away.
Turnaround times and production schedules
There are three turn time options for CDs in jackets: economy, standard, and priority. Economy turn times are not guaranteed and are approximately 10–13 days in production after proof approval. Standard turn times are guaranteed and production takes approximately 5–7 business days after proof approval. Priority turn times are also guaranteed and the order takes 3–4 business days in production after proof approval. All turn times are contingent upon proof approval, so make sure you’ve approved your proofs!
Shipping, storage, and handling
Disc Makers ships worldwide, so don’t let distance deter you! Shipping in the continental U.S. for up to 3000 units is included in your initial quote. Shipping elsewhere will be an additional charge; you can confirm these charges while placing your order. CDs can also be picked up from the plant in Pennsauken, NJ, but you must pick up the order within 90 days.
Compatibility with CD duplication and packaging
You can absolutely order duplicated CDs and have them packaged in jackets! Replication is a more durable and superior method of creating the CD, but if affordability is a concern, then duplication is a solid option. The on-disc printing is the same high quality on both.
Sustainability and eco-friendliness
For those concerned with sustainability, the cardboard used to make the jackets at Disc Makers is made from 10% recycled product. In addition, jackets are an eco-friendly option compared to jewel cases because they have no plastic tray. The inks used to print on the disc and on the jacket itself are entirely vegetable-based.
Working with a CD sleeve printing provider
Whether you choose us or another provider, the process is basically the same. Disc Makers considers itself the most user-friendly because we are a “one-stop shop”; we can help you design artwork, we’ll master the audio, and we manufacture the CDs all in-house. With other providers, you might not get all the departments under the same roof for the same affordable price. It’s helpful to know the process no matter which company you choose.
Preparing and submitting the artwork
Whether you’re supplying the art yourself or working with our designers, all art images still need to be high-resolution at 300 ppi and in the CMYK format. If supplying your own art, your jacket art also needs to be in the proper template, available for download from the Disc Makers website. Everything can be directly uploaded. Scanning physical images is also available for an additional charge.
Proofing and sample approval
Approve your proofs in a timely fashion and you’ll keep your project moving! If you have color concerns, you can request a hard copy proof. Bear in mind that neutral colors can always shift during the printing process, so the colors you see on the proof may and often will change especially if they are neutral tones like browns.
Common issues and how to avoid them
Some of the most common issues are sending low resolution images, not adding bleed and safety margin on the templates, and issues with template using or not using them at all. Make sure you are aware of all that is required so that you don’t delay your own project.
Checklist before going to print
Let’s conclude with a simple checklist to keep handy before you print your CD sleeves:
- Have I supplied all necessary images and artwork in the correct templates?
- Are all of my images and fonts supplied and 300 ppi or higher?
- Is the artwork supplied in CMYK mode?
- Was bleed/safety margin added by me or someone else?
- Have I approved my proofs?
When you’re ready to release your album on physical media, Disc Makers is here for you! Explore our products here.
