How to Write a Song for Beginners: 7 Tips

Estimated reading time: 11 minutes

Have you got the music in you and want to start writing songs? Here’s a no-nonsense primer to getting your songwriting career started.

Updated October 2024.

Someone recently wrote to us, asking how to get started as a songwriter. So, I thought I’d write an article offering up some tips to help would-be songwriters craft their first song.

The first rule of songwriting

So you want to write a song, eh? Well, first you’re going to have to learn The Official Rules of Songwriting and Whatnot.

Just kidding. There are no rules to songwriting. Well, there is one rule, and it is this: If you like what you’ve written, you’ve succeeded. That’s it. There are no other rules. You don’t need to know music theory or even how to play an instrument. Those things certainly help, of course, but they aren’t necessary.

All you need to write a song is your imagination and your own sense of what sounds good to you.

OK, let’s start.

Tip #1: How do you want your audience to feel?

Writing a song is all about making choices. As you write, you are constantly trying out melodies and lyrical ideas and deciding if you like them. But it’s hard to make these decisions in a vacuum. How do you know if you like a chord or a metaphor if you don’t know what kind of song you’re writing?

So, the first thing you should do is to state your intention. Think about not only what kind of song you will be writing (love song, dance song, protest song, breakup song, etc.), but also how you want your audience to feel. Generally speaking, popular songs — in any genre — make their listeners feel something. Always keep that emotional goal in mind as you write.

Picture your listener

If you’re unsure what feeling you’re going after, try instead to picture the ideal setting for listeners to be in when they hear your song. Are they sitting in bed on a rainy day drinking coffee and doing a crossword puzzle? Are they raving away at a club? Playing at the beach? Driving while beating the crap out of their steering wheel?

All of this is important to map out ahead of time because every part of your song — the melody, the lyrics, the chords, the arrangement — should work towards invoking your lyrical message and your emotional goal.

What’s the lyrical message?

Let’s say you’ve been noodling around on an instrument and you’ve stumbled upon something you like. Great. Now figure out what emotion this invokes in you. This will help you craft the lyrics.

Or, conversely, maybe a lyric came to you and you want to write a song about it, like, “Love is like a sickness.” OK, cool. What kind of song does this suggest to you? To me it sounds like a punk tune, so: high-energy, lots of major chords (don’t worry if you don’t know what that means, we’ve got your back), and an angular melody. It’s an amusing simile, so the lyrics might have lots of medical wordplay and double-entendres.

Tip #2: Be specific about your song’s intention

It’s not enough to say you want to write a happy love song. That’s too generic and it will leave you writing middling lyrics. Be specific from the outset. Maybe you are so wowed by how amazing your loved one is that none of the usual adjectives can possibly do them justice. Cool. Sounds like a snazzy Broadway tune, sung at high-speed, with flurries of notes and lots of gibberish words that sound like they could be real. “You’re stupendulous and flunderful and flabusome and marvable!”

Maybe you have a crush on someone and you want to write a song for them, but you know you’re going to be too embarrassed to ever play it for them. That’s a cool song idea. I can hear it as either a Bonnie Raitt-style torch song, à la “I Can’t Make You Love Me,” or maybe a wry country tune like “Sad Songs and Waltzes” by Willie Nelson. “I’d rather knit you a warm scarf / ‘cause if I sing for you, I’ll surely barf…”

OK, maybe not, but you get the idea.

Tip #3: Finding your own voice while drawing inspiration

It’s totally fine to look to your favorite artists for music inspiration — it’s what every songwriter does. But finding your own voice is key to standing out.

• • Study, but don’t imitate: Love Bob Dylan? Awesome. Dig into his catalog, but don’t just copy his style. Notice how he tells stories or plays with language, then take those ideas and make them your own.
  • Blend influences: If you’re into Taylor Swift and Radiohead, mix them together! Maybe you love the pop sensibility of one, but the weird chord progressions of the other. This is how new sounds are born.

Trust your gut: Don’t second-guess yourself. If you like something you’ve written, stick with it. Even if it doesn’t sound like anything else out there, that could be your edge.

• Develop your signature: Whether it’s a lyrical style, a certain melody, or the way you deliver your vocals, keep experimenting until you find something that feels like you.

Remember, your voice is unique, and your influences are just part of the equation. Let them help you, but always strive to bring something new to the table.

Tip #4: Should you write music or lyrics first?

People often say that there are two ways to approach writing a song: words-first or music-first, though I tend to do a little of both at the same time. I’ll come up with a lyric that grabs me, and then I’ll try to sing it. I find that starting with a lyric is nice because it gives you a ready-made rhythm to work with. (Make sure you fit your music to your words, and not vice versa. You want your singing to sound natural. It’s what’s known as prosody.)

Pro tip: Always be listening for lyrical ideas in your everyday life. Take note of anything someone says that sounds musical or catchy. A couple of Beatles songs got their song title from random things Ringo uttered, including “A Hard Day’s Night.” “Eight Days a Week” came from something a chauffeur once said to Paul McCartney.

Once I get a melody I like, I’ll sit at the piano and figure out what notes I’m singing. Then I’ll try to set it to chords. At that point, I often start messing around with the chords to see where I can take the song next. Once I have that figured out, I’ll go back to writing lyrics.

How to write the lyrics

Looking for easy to follow songwriting tips? Song lyrics are where you get to really play. Think of them like poetry, but more flexible. There are no rules here, except that the words need to feel honest to you.

• Rhyme schemes: Don’t feel like every line needs to rhyme. Some of the best songs use sparse or unpredictable rhyme schemes. That said, if you want something catchy, ABAB or AABB rhyme patterns can help lock it in.
• Imagery: Paint pictures with your words. The more specific your imagery, the more relatable it can feel. “Her eyes were blue” is fine, but “Her eyes were ocean-tossed blue” gives a little more punch.
• Metaphor and simile: Want to compare love to a train wreck or a summer breeze? Go for it. Using figurative language adds depth and makes your song stand out.
• Keep it simple: Sometimes less is more. You don’t need to jam-pack your song lyrics with deep meaning. The most memorable songs are often the simplest. Think “(I Can’t Get No) Satisfaction.”

Ultimately, your lyrics should say something that resonates with both you and your audience. If they make you feel something, they’ll likely do the same for your listeners.

How to write a melody

We’ve discussed writing a melody before, but, but the TLDR version is this: You want something people can immediately latch onto and remember. Therefore, simplicity and repetition are key. You don’t have to write an extended melody with lots of notes. Try thinking in little 3-4 note mini-melodies called motifs. Find a motif you like and then try repeating it, only singing it in a higher or lower register. The first movement of Beethoven’s Fifth Symphony is the ur-text for this sort of thing, but you hear this in music all the time.

Another trick is to string a few notes together to connect two instances of your motif, like in “Yesterday” by the Beatles. (The word “yesterday” and the words “far away” are the same motif.)

The key is to try different things until you find something you like. And remember to record everything. If you don’t have a digital audio workstation (DAW) like GarageBand, just use a recording app on your phone.

I found this video, which does a good job of showing someone creating a hook melody on the spot.

Tip #5: Crafting a chord progression

As shown in the video, Isabelle looped a pre-recorded chord progression and then tried several melodic variations until she found the one she liked. This is a fun and effective way to write a song, and it’s something you can do even if you don’t play an instrument.

Let me introduce you to a fun (and free) little website called Chord Player by OneMotion. You simply choose the type of song you want to create: pop, dance, rock, waltz, jazz, country, samba, etc., and then drag and drop chords into a player until you create a progression you like.

If you know nothing about music, and aren’t sure which chords go well together, try the “Circle of Fifths” setting (see below). For this example, I chose the key of A. Now you can use any of the highlighted chords in practically any order to create a progression.

There are some great (free) apps for phones, too, like NextChord. Choose a key and it will offer up a list of chords for you to choose from, telling you which chords are more commonly used. This app is nice because it lets you easily use chords beyond the usual major and minor.

Tip #6: Creating the song structure and formats

Alright, so you’ve got a melody and some lyrics down. Now what? It’s time to give your song some structure. Think of it like building a house — you need a framework to hold everything together.

• Verse-Chorus-Verse: The most common structure in pop and rock. Your verses tell the story, and the chorus is where you hit the emotional high point. It’s the part people will be singing in the shower.
• ABABCB: Another popular format — verse, chorus, verse, chorus, bridge, and then chorus again. The bridge is a chance to change things up, whether that’s through a key change, a different melody, or a lyrical twist.
• AAA: If you’re feeling folky or old-school, this might be for you. It’s just verses all the way through. This can work if you’ve got a killer story or narrative song.
• Instrumental breaks: Don’t forget, sometimes it’s okay to give the lyrics a break and let the music take over for a bit.

The point is, there’s no “correct” way to structure your song, so experiment with different formats until one feels right. Just keep in mind that whatever structure you use, the goal is to keep the listener engaged from start to finish.

Tip #7: Editing and refining your songs

Once you’ve got your song down, it’s tempting to call it done. But great songs often come from a good dose of editing. Here’s how you can polish up your track:

• Take a break: Step away for a day or two. When you come back, you’ll hear things with fresh ears and may notice parts that need tightening.
• Cut the fat: Be ruthless. Does every word, every note serve the song? If not, get rid of it. Even if you love a particular line, if it’s not working in context, it’s gotta go.
• Test on friends: Play your song for someone who’ll give you honest feedback. They might point out things you didn’t notice, like a clunky lyric or an awkward melody.
• Refine the melody: Try tweaking the melody after you’ve written it. Could a note be held longer, or should the rhythm be tighter? Don’t be afraid to make small changes for a big impact.

The best songs go through multiple drafts, so don’t rush the process. Each revision brings you closer to a final version that’s truly great.

Don’t stop believing (in your songwriting skills)

Beyond these beginning tips, your best bet is to listen to your favorite songs and hear how they’re constructed. Look up their chord progressions on sites like Ultimate-Guitar.com so you can get a sense of how to construct your own progressions.

Look for YouTube videos about these songs. There are many videos that break down classic songs. Rick Beato has a great series of videos called “What Makes This Song Great.” This episode in particular does a nice job of breaking down all the musical and emotional underpinnings of The Who’s “Love Reign O’er Me.”

Once you start, keep writing (and recording!) and unlock that hit song you’ve got buried inside!

Scott McCormick is the author the Audible bestselling Rivals! series and the hit fantasy novel The Dragon Squisher. Scott can be reached at storybookediting@gmail.com.

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Scott McCormick

Articles: 75 Years: 2017

Scott McCormick is a musician and the author the Audible bestselling Rivals! series and the hit fantasy novel The Dragon Squisher. Scott can be reached at storybookediting@gmail.com.

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