logic or pro tools

Logic or Pro Tools? Which is better for you?

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Musician, author, educator, and music industry consultant Bobby Borg talks with Maurizio Otto De Togni to compare Avid’s Pro Tools software with Apple’s Logic Pro based on price, usability, and compatibility. Excerpted from the video, “Pro Tools Versus Logic? Which Home Recording Software is Better?”

Bobby Borg: The topic for my discussion today is Pro Tools versus Logic, and we’ll break that down into three areas:

  1. Price
  2. Learning curve, and
  3. Standardization

I’ve got Maurizio Otto De Togni with me, he’s an Avid-certified Pro Tools expert instructor, an Apple-certified Logic Pro X trainer, and a music-maker and audio technologist.

So, when it comes to home recording equipment, there’s still a debate as to which is the better platform, Avid’s Pro Tools or Apple’s Logic Pro, and here to help us settle the score is the go-to expert in Hollywood. So let’s go ahead and start with price. Which of these programs is cheaper, because a lot of the independent artists out there are on tight budgets, so this is an important factor.

Maurizio De Togni: Price is crucial for everybody, whether you’re working with a small or big budget. When it comes to purchase price, if you want to just own the software, at the end of the day, Logic is less expensive — and is actually it’s the only option you have. When it comes to leasing or renting, that’s the new-school trend for this kind of software, Logic gives you all the options: you can buy or you can lease it long-term. It’s going to cost you more with Pro Tools, you can’t buy it, but you can pay little-by-little — it’s as low as $10 a month, I believe, with a student or academic discount. When it comes to Apple (Logic), there are no discounts, it’s just one price for everybody — it’s less than $20 a month.

Bobby Borg: OK — there are more options with Pro Tools, but in the end, Pro Tools is the more expensive product.

Maurizio De Togni: Yes.

Bobby Borg: So, let’s move on to the learning curve. Which one is easier to learn? Of course, I ask this question because a lot of the independent artists out there will be excited to get the software uploaded and get right to work. They want to start creating and they don’t want to deal with headaches and tech stuff.

Maurizio De Togni: The learning curves, as I like to say to my clients and students and anyone I’m coaching/mentoring, are on opposite ends of the spectrum. When it comes to Logic, you can upload to the computer and in an hour or so, you can play around with it and get things out of it. Of course, you might want some formal training, but you can move around relatively quickly at the very beginning. Then, of course, as you want to go deeper, get more professional, it gets more challenging and more complicated.
Build your own home recording studio
When it comes to Pro Tools, it’s the opposite. You upload the software and then after an hour, a day, a week, you’re still at square one. It’s a story I hear from all my clients and students: you can’t start using it without formal training. There’s a lot of pain, it’s like walking through the woods and dealing with mosquitos and you don’t know where you’re going, but you continue day after day and then you emerge on this beautiful beach. This paradise is your reward — it’s like a long-term relationship. You get married with Pro Tools, Logic is an easy-going guy, you can get along with easily, even if it’s for one night.

Bobby Borg: OK, so the last point is standardization. Which software is going to be easier to communicate with and speak with the rest of the world, you know with other producers with other industry professionals? I’ll make an analogy with word processing programs… when it comes to Microsoft Word compared to something like iWorks’ Pages, I’d say Pages is much easier to use and manipulate, but when you go to intern or when you go to work, businesses are more likely going to ask you to understand and use Word, so it behooves you to know how to use it. Is it similar to what we’re talking about Pro Tools and Logic?

Maurizio De Togni: Very similar. I would say Apple’s Logic is like the iWork Pages software and Pro Tools is the Microsoft Word in this analogy. In terms of cross-platform compatibility, Pro Tools works on a Mac, Apple, PC, it doesn’t matter. Logic only works on a Mac, which might be a limitation for some people. And in the end it’s a matter of, as you said, which is the most spoken language? And we could even throw in another competitor, Ableton Live. So let’s consider English, Spanish, and Chinese languages. In business, you can go pretty far knowing any of these languages, but once you know English, especially in the Americas, you can’t go wrong. At the end of the day, Pro Tools is your main language — no offense to the others.

Bobby Borg: No, of course not. It just makes it makes sense. If you’re going to communicate broadly, Pro Tools is the more universal choice. You made a great comparison when we spoke on the phone the other day. You said, if we were comparing a Lamborghini and a Mercedes, we might say the Lamborghini is a more sophisticated, better car, but it’s also not the most practical choice for your day-to-day driving. So, in this example, Pro Tools might be more advanced and more sophisticated, but for the independent artists out there, it may not be the most practical choice.

Maurizio De Togni: Yeah, you’re not going to go to the grocery store in a Lamborghini, I’d go with the Mercedes. And, in the end, it doesn’t sound like a compromise at all because a Mercedes is still more than a decent car — so we’re saying you can’t go wrong.

There’s lots more… watch the entire conversation!

Bobby Borg is the author of Music Marketing For The DIY Musician (Second Edition), Business Basics For Musicians (Second Edition), and The Five Star Music Makeover (published by Hal Leonard Books). Get these books at any fine online store in both physical or digital format. Learn more at www.bobbyborg.com.

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3 thoughts on “Logic or Pro Tools? Which is better for you?

  1. I’ve used them all, beginning with Cakewalk decades ago. I finally reached a point where I liked Sonar, but for obvious legal reasons with Sonar, I went to CuBase and eventually ended up with Pro Tools. What a MESS!!! Right in the middle of doing a project, ProTools decided to use a LOK Key, and my college email no longer existed to Login. $600 down the drain! I moved to Logic and liked it, Ableton and liked it. I complained to my my rep at Sweetwater that I needed a friendly DAW without the airplane cockpit. He recommended Presonus’ (German product) Artist to try it. Within 2 days, I was familiar with the DAW and it was friendly enough that I could concentrate on my project, and not concentrate on running the DAW. Three months later I moved to Professional and now I’m with SPHERE’s annual subscription. You should try it. SPHERE’s monthly is only $15, and you can quit anytime. If you like it, an annual subscription saves you money. If you don’t need all the Notion, or universal worldwide chat, you can quit and buy PROFESSIONAL. One thing I really like about Personus, is the simple connection with external equipment/keyboards/instruments. I can switch back and forth from my TYROS and KRONOS and, yes, my vintage PROTEUS and even a HELICON unit with ease. Also, easy peasy move from MIDI to WAV, and even MP3. I really like the Presonus. Well, in my opinion, ProTools has too much stuff, too much frustration, too much time, too much screen muck, and just plain TOO MUCH! It’s like a cupcake with a pound of icing (and you’ll pay for the extra icing). Check out the “free” trial with Presonus, then decided for yourself.

  2. Maybe they talk about it later in the video, but what about other DAWs that are easy to learn, free in their starter version, compatible Mac/PC, less expensive AND a very serious option for professionals today ?
    I use Studio One by Presonus for 5 years now. It’s just perfect in all the aspects I just mentioned! Check it out.

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