The fifteen minutes between one artist’s final note and the next group’s first “hello” are precious. How you handle the transition can set you up for your best performance at your next music gig. Read More.
Touring is such a valuable learning and career opportunity. See the sights, play great shows, connect with industry, and make your fans feel special. Having a genuine attitude and hard-working ethos on the road can only lead to bigger, better opportunities. Read More.
If your goal is to get more gigs and play better venues, these five tips can help you make the most of your time and energy and give you a plan of attack. Read More.
Here are some practical tips to help you deal when stars (and germs) align to make you sick for the gig you’ve been looking forward to play. Read more.
There’s an advantage to concentrating your live performance development in local music venues as you plan for future tours in new and wider territories. Start your career in a central place – your hometown or a town nearby – then expand outward from that central point. Read more.
Growth is good, but grow with awareness as you move to the next level. The truth is, most acts move too quickly. They think they’ve reached a level of success that they simply have not. Carefully assess every step of your success before charging ahead thinking you’re ready to move on. Read more.
Have you ever felt frantic about getting more gigs on your schedule? Depending on your goals and where you are in your music career, that may be exactly the thing to do. If you are in this to create a lasting career in music, one that builds momentum and progresses from one level to the next, you need a plan when booking music gigs. Read more.
One way to expand your audience is to serve as an opening act for a better-known artist on multiple tour dates or one local show. Sometimes you can get lucky and be in the right place at the right time, but if you’re more interested in strategy than chance, here are three suggestions to help you land some of these choice performance slots. Read more.
If you want to perform live more than just once a month, there are plenty of ways to fill up your performance schedule without saturating a particular market. Four basic strategies you should consider include: 1) A club residency, 2) Alternate format performances, 3) Dual territory performances, 4) A tour. Read more.
In “Tales of the worst music gigs ever,” we shared a handful of on-the-gig horror stories and lessons learned from them. While those stories were all wrenching in their own rights, here is one from New York bassist Dmitry Ishenko that stands in a category of its own. Read more.
Every musician has stories of the best gig ever, that performances where the music, the crowd, and the stars aligned. Then there’s those other times when nothing goes right. Gear explodes, drunks attack, people vanish… But even the worst gigs can be valuable learning experiences. Read more.
Bassist Malcolm Gold’s story about the benefits of MusicPro instrument insurance doesn’t involve theft or damage. It was just a momentary lapse of focus on a long commute. “It was a very stressful time in my life. I was traveling on a train with a beautiful 1966 ice-blue metallic Fender Jazz bass. It’s a custom color, and worth a considerable amount of money, to say the least.” Read more.
Playing music gigs in Canada just got easier thanks to a new law, but crossing the border with your instrument still requires preparation and organization. If you’re planning a trip to play music gigs in Canada, here’s some advice and a few online resources to help make your border crossing smooth and easy. Read more.
An organized soundcheck can give band members and sound engineers the tools they need to craft an excellent live music mix, while a chaotic one can suck up valuable minutes – and good will. Some bands do sound checks like complete pros, others are just a mess with everybody onstage playing at the same time, nobody listening, and lots of noise and yelling. Read more.
When playing international music gigs, singers and flutists have it easy. Drummers, guitarists, bassists, and keyboard players, on the other hand, have to figure out more creative solutions to manage their gear. If your music-making equipment is larger and more cumbersome than a standard airplane carry-on, how do you ensure that, when you take the stage miles away from home, you have the gear you need to a give a performance that you can be proud of? Read more.