Posts tagged as:

studio

The Ultimate Podcasting Mic Shootout

by Disc Makers June 13, 2011

podcast microphonesAnyone shopping for a new podcasting microphone, or a voiceover microphone, or even a studio vocal microphone should know that the broadcast industry has relied on a very small handful of mics for the past 30 years. Broadcasters know something that you might not: how to get a great vocal sound. Read more…

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A Guide to Combo Amps

by Chris Grova January 10, 2011

BUGERA V22 ComboThis time around we’re going to highlight several very cool, best-in-class combo amps — so before we get down to brass tacks, let’s get some quick background:

The term ‘combo’ in amp-speak simply means the speakers and electronics are ‘combined’ in the same cabinet. This is opposed to a head and separate speaker cabinet ‘stack’. Both have inherent pros and cons: the combo is simple, straightforward and compact. Read more…

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Home Recording Shopping Guide

by Keith Hatschek December 15, 2010

Many people have a limited budget this year to upgrade their home recording systems. Because of that, it’s helpful to prioritize what is the most important element you need or would benefit from upgrading. If you consider your entire home recording system as 100% of your sound, assuming that you already have a digital audio recording system, then as much as 50% of your sound comes from the quality of the microphone you use. When you purchase your first really nice microphone, you’ll be surprised at what a difference in the overall recording quality it makes. Read more…

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Recording with Reverb and Echo – Tips and Lessons from Six Classic Tracks

by Keith Hatschek November 23, 2010

If you’re recording and mixing your own tracks, you may have already begun experimenting with reverb and delay, two time-based effects that offer the opportunity to change the perceived time and space coefficient of an individual instrument, voice, or an entire mix. Simply put, the use of reverb and echo effects can create the perception of music being performed in a small concert hall or a 20,000 seat arena, or anywhere in between. We’ll consider the aesthetic use of each, and recommend a few classic tracks worth checking out that make excellent use of these time and space effects. Read more…

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Basic Tracks: Where the Magic Is Made

by Bobby Owsinski October 25, 2010

The Music Producer’s Handbook Basic tracks are the initial recordings of the rhythm section that are done prior to any overdubbing. Basics are the foundation for the music being recorded and for any other parts that come afterward. If there’s something faulty in the foundation, it will either be impossible or very costly in time and money to fix things later. That’s why it’s essential to make each basic track the best it can be.

Regardless of whether you spend a little or a lot of time in preproduction, recording basic tracks is where you either make the project or break it. Even if you had a great preproduction, you never really know how things will record or what unforeseen circumstances will pop up until you get there. Read more…

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Home Recording: Choosing Your DAW

by Disc Makers August 24, 2010

pro-tools 8Home recording has exploded over the past decade as digital technology has given musicians more and more powerful tools for capturing and mixing music on laptops and desktops. One of the key choices a musician or engineer must make is which DAW to invest time and money into.

What’s a DAW you say? Well, why don’t we see what wikipedia says: Read more…

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Creating a Budget for Your New Album

by Disc Makers August 6, 2010

creating a budgetCameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written yet another excellent article for independent musicians. This article comprehensively details the time and costs involved in creating a new album. Mizell put together “a realistic cost scenario for every stage of creating a new album,” which could serve as an indispensable guide for those about to embark on the process. Read more…

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Creating a Lead Sheet

by Keith Hatschek March 19, 2010

Lead Sheet SoftwareThere’s some great software on the market that makes it easy to transcribe your music. We compare two programs and give you our take on ease and performance.

For a songwriter getting ready to work with a back up band or go into the studio with session musicians, having an accurate lead sheet of your songs is a great way to save time and money. Read more…

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Creating a Great Composite Vocal Recording

by Keith Hatschek February 5, 2010

Creating a Great Composite Vocal RecordingOne of the themes through many of the articles on Echoes consider the practicalities of how to make the most of home recording, both the equipment needed and the techniques for getting the best results from your own efforts. This article will take a look at the techniques used to create composite lead vocal tracks, referred to as “comping” the lead vocal by studio engineers. Read more…

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Behind the Glass with Joe Chiccarelli

by Howard Massey January 22, 2010

Joe ChiccarelliAs the producer of classics from Frank Zappa, The White Stripes, and Kurt Elling – Joe Chiccarelli draws inspiration from a variety of sources.

Unlike many producers whose sonic stamp is immediately recognizable (a Roy Thomas Baker or a JohnShanks, for example), you’d be hard-pressed to identify a Joe Chiccarelli “sound.” It’s hard to believe that the same individual who produced the rough-and-ready White Stripes’ Icky Thump was also responsible for the ephemeral, moody ambience of the Shins’ Wincing the Night Away or the smooth, slick jazz tones of Kurt Elling’s Night Moves. Read more…

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How Do I Become a Studio Musician?

by Bobby Owsinski and Paul Ill January 15, 2010

On the journey to becoming a successful studio musician, a lot of roads lead to the same place. But the way it usually works is that someone hears and likes your playing and either hires you or refers you as a result. Here are some of the many ways it could happen. Read more…

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Tips to Ensure Success with Mastering

by Disc Makers January 11, 2010

Paul Elliott, senior mastering engineer at Disc Makers’ SoundLab mastering studios, offers a few tips to help artists get the most out of their mastering sessions, as well as some of his own opinions about the role of mastering in the album-making process.

First, prepare an accurate track listing – in the proper order – of all the songs you are sending to the mastering engineer. If there are any alternate mixes, be sure those are clearly labeled and tell the engineer which one you prefer be used. Read more…

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Making the Case for Mastering

by Keith Hatschek January 8, 2010

Before the advent of affordable home recording technology, most bands and songwriters struggled to save up enough money to go into a professional recording studio to cut a demo or a record that would help them get noticed. Invariably, once they were in the studio, these bands realized just how good they could sound if they only had a little more time in the studio to perfect their music. Read more…

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Holiday Gear Guide

by Keith Hatschek December 7, 2009

NightTrainEach year our Pro Studio expert seeks out a range of products which might make for a welcome addition to your music-making or home studio recording in the new year. This year is no exception, as he spoke with a pro audio expert to learn about some great additions to your home recording rig, and also visited a local music store to try out some new music-making toys that deliver outstanding results. Read more…

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Home Project Studio: Part 5 – Up And Running

by Mike Tarsia November 24, 2009

The studio is up and running and it looks great. I’m getting used to the sound of the speakers in the room and the sound of the ISO booth. The more I listen and work in the room, the more secure I feel in knowing what changes I need and want. I have made a list of things to be addressed by priority and am going to tackle the final construction and acoustical treatments issues. Read more…

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