This post is devoted to answering a reader question about singing and emotion. The reader, a man, specifically asks: How do you manage strong emotions that arise when you sing? The question will likely resonate with most anyone who sings (or wants to sing) in public – whether it’s a bar of music in a choir or an entire performance. Judy Rodman, the wonderful singer and vocal coach who contributes guest blogs to Music After 50, graciously provided an answer to this reader’s question. First the reader’s words, and then Judy’s: Read more…
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We’ve all seen and read posts and eBooks about how to ‘succeed’ as independent artists and to be honest, I’ve even written a few. 
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Apple announced last week that they were launching a new social network called Ping which is integrated into their ubiquitous iTunes player. 
At some point, every musician finds themselves studying, or perhaps copying, another’s music. 
Cameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written yet another excellent article for independent musicians. 
Doesn’t it just stink when you do something that seems like it should work, but it falls flat and leaves you more confused and frustrated? 
