From mood-setting ambient tones to raucous synth-pop, analog synthesizers have made a mark on music in various genres – and they’re not just for keyboards! Read More.
When creating music with loops from libraries, taking the time to customize and personalize will make your music more your own. Read More.
Jordan Rudess, keyboardist for Dream Theater and founder of Wizdom Music, gives us his picks and favorites in the ever growing world of music making apps for your mobile devices. Read More.
You can transform your mobile device into a Swiss army knife of synths and virtual musical instruments with these recommendations from Dream Theater keyboardist and musical entrepreneur, Jordan Rudess. Read More.
When sharing music tracks, having a plan for how to prepare your material for easy remote collaboration can save significant time and help avoid headaches. Read More.
Game composer Tom Salta and music publisher Jake Versluis advise hooking up with a quality music publisher if you can – or making a strong pitch directly to game-makers if you can’t – but how do you approach either sort of party and get taken seriously? Here’s advice on how to pitch your music for video games. Read more.
Ever wonder who plays the Hollywood scores? Not so long ago, film scores were recorded in studios and on sound stages. These days, that brilliant score might not have been played by a live orchestra. Technology allows virtual instrument developers to create near-identical versions of real-life instruments. Read more.
Studying the differences will help you know where to draw influences from and what your audience is looking for. Drum and Bass sounds completely different from Electro which is completely different than House and Dubstep and Techno. Each genre has a completely different feel and production aesthetic. Read more.
Anyone can open GarageBand, drag a few drum and synth loops in, and create some something that resembles electronic dance music. But according to producer Francis Preve, there’s a world of difference between electronic music that is“constructed” and that which is created with expertise and inspiration. Read more.
MIDI, or Musical Instrument Digital Interface, is a language by which computers, virtual instruments, and hardware samplers/synthesizers can communicate. There are a lot of unfamiliar terms and concepts in the MIDI world, so let’s take a look at a few questions that I typically hear from first time users. Read more.
A little extra effort spent on avoiding unnatural sounds when mixing synths with acoustic instruments, improving expressiveness, and tightening timing inconsistencies can help you get the most out of your virtual synths. Read More.
Many people want to lay blame on the tools for their work sounding robotic or unnatural, but this doesn’t have to be the case if you learn how to use your tools properly and pay attention to what the settings do. Of course, there is a limit to how much tuning or editing you CAN do to a less-than-perfect performance… Read more.
MIDI controllers have been steadily rising in popularity and are a prized piece of gear for beat makers from the hip-hop and electronic world, as well as across a host of other genres. Read more.
As the home studio has evolved, so too has the MIDI controller to fit the needs of the musician and the software that has become a part of the studio arsenal. Controllers now have moved well beyond acting as a keyboard for module synths and enhance any musician’s DAW and SoftSynth, enabling one to retain a tactile experience in an environment that seems to require more and longer use of the computer keyboard and mouse. Read more.
With multi-track recording programs like GarageBand, Pro Tools, and Logic becoming nearly ubiquitous amongst tech-savvy musicians, it’s easier than ever to take your own music all the way from first inspiration to finished audio file without leaving your room. But just because these high-powered tools are available, it doesn’t mean we all know how to use them well. Read more.