Posts tagged as:

recording

In the Studio with Trevor Horn

by Howard Massey May 3, 2010

Trevor HornTrevor Horn is rather unique among his peers in that he enjoyed a highly successful career as a musician before moving to the other side of the glass. As half of the eighties pop duo the Buggles (he was the one with the nerdy glasses), he co-wrote, co-produced, and sang lead on their smash hit “Video Killed the Radio Star,” perhaps best known today as the first video ever played on MTV. He and co-Buggle Geoff Downes were then briefly integrated into prog-rock kings Yes (an experience he later described as “awful”) before he made the decision to end his touring days and focus full-time on record production. Read more…

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Analog Recording in Digital Times

by Keith Hatschek April 8, 2010

analog recordingWhile the revolution in recording technology centers on affordable digital audio workstations, the affection for the old analog traditions and sounds is more than just nostalgia.

To that end, Britain’s six-piece Band of Bees is working hard to reclaim and recapture some of the vintage sounds of legendary artists from the ‘60s and ‘70s like The Beatles, Buffalo Springfield, and the Young Rascals in their recordings. Read more…

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Creating a Lead Sheet

by Keith Hatschek March 19, 2010

Lead Sheet SoftwareThere’s some great software on the market that makes it easy to transcribe your music. We compare two programs and give you our take on ease and performance.

For a songwriter getting ready to work with a back up band or go into the studio with session musicians, having an accurate lead sheet of your songs is a great way to save time and money. Read more…

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10-Minute Music Practice

by Leah R. Garnett March 12, 2010

One person may practice an instrument for an hour a day, another for only 10 minutes a day. And yet the person who practices for 10 minutes may make more progress than the one who practices for an hour. Why? Because the person who plays for only 10 minutes may spend that time in focused practice, working on developing new skills.

The person who practices for an hour may spend that time playing songs, pieces, or scales that he or she already knows. Read more…

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Beyond Classical: Ann Marie Calhoun Stretches Boundaries

by Disc Makers February 16, 2010

Ann Marie CalhounAnn Marie Calhoun has been touring and sharing the stage with music legends Ian Anderson, Steve Vai, and Ringo Starr, as well as composing and recording material for the recently-released Sherlock Holmes’ movie. Soft spoken and thoughtful in person, she’s a different personality on stage with a fiery presence and a knack for sizzling violin solos. Read more…

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Creating a Great Composite Vocal Recording

by Keith Hatschek February 5, 2010

Creating a Great Composite Vocal RecordingOne of the themes through many of the articles on Echoes consider the practicalities of how to make the most of home recording, both the equipment needed and the techniques for getting the best results from your own efforts. This article will take a look at the techniques used to create composite lead vocal tracks, referred to as “comping” the lead vocal by studio engineers. Read more…

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Fast Path to Blu-ray: Bruce Nazarian Interview, Part II

by Lee Purcell February 4, 2010

Bruce NazarianDespite justly being known as a digital jack-of-all-trades (aka Mr. Digital Guy), Bruce Nazarian thoroughly enjoys his vinyl collection, including many records he personally produced early in his rich and varied career. Much of his work has involved pushing the outer boundaries of creativity in the digital media realm – from pioneering achievements in direct-to-disk recording to evangelizing the potential and use of DVD and Blu-ray discs. Read more…

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Behind the Glass with Joe Chiccarelli

by Howard Massey January 22, 2010

Joe ChiccarelliAs the producer of classics from Frank Zappa, The White Stripes, and Kurt Elling – Joe Chiccarelli draws inspiration from a variety of sources.

Unlike many producers whose sonic stamp is immediately recognizable (a Roy Thomas Baker or a JohnShanks, for example), you’d be hard-pressed to identify a Joe Chiccarelli “sound.” It’s hard to believe that the same individual who produced the rough-and-ready White Stripes’ Icky Thump was also responsible for the ephemeral, moody ambience of the Shins’ Wincing the Night Away or the smooth, slick jazz tones of Kurt Elling’s Night Moves. Read more…

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How Do I Become a Studio Musician?

by Bobby Owsinski and Paul Ill January 15, 2010

On the journey to becoming a successful studio musician, a lot of roads lead to the same place. But the way it usually works is that someone hears and likes your playing and either hires you or refers you as a result. Here are some of the many ways it could happen. Read more…

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Tips to Ensure Success with Mastering

by Disc Makers January 11, 2010

Paul Elliott, senior mastering engineer at Disc Makers’ SoundLab mastering studios, offers a few tips to help artists get the most out of their mastering sessions, as well as some of his own opinions about the role of mastering in the album-making process.

First, prepare an accurate track listing – in the proper order – of all the songs you are sending to the mastering engineer. If there are any alternate mixes, be sure those are clearly labeled and tell the engineer which one you prefer be used. Read more…

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Making the Case for Mastering

by Keith Hatschek January 8, 2010

Before the advent of affordable home recording technology, most bands and songwriters struggled to save up enough money to go into a professional recording studio to cut a demo or a record that would help them get noticed. Invariably, once they were in the studio, these bands realized just how good they could sound if they only had a little more time in the studio to perfect their music. Read more…

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Pro Studio: Laptop Recording 101

by Keith Hatschek December 21, 2009

studiotogo2Compiling a “studio on the go” has never been so easy or affordable Being able to easily and quickly record your material at a moment’s notice is one of the key advances technology has provided musicians today. But just how easy is it to take that recording capability with you when you travel? Following is an exploration into the basics of setting up a “studio to go,” centered around an affordable laptop computer. With the advice of recording engineer Bob Furlong, we’ll find out just what you need to record anywhere and anytime the spirit moves you. Read more…

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Pre-Production and Your Recording

by Andre Calilhanna December 7, 2009

Whether you’re entering the studio for the first or fiftieth time, embarking on a full-length album or a soundtrack one-off, successful recordings start with some form of pre-production. It could be as simple as a one-time conversation with the studio manager to go over the studio’s etiquette, layout, fees, and the specifics of how your time in the facility will play out. But for most projects, pre-production is a much more involved process that allows the artists and production team to define things like which songs will be recorded, the key of each song, and their tempos. Read more…

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Gear Watch: jamLink Internet Audio Interface

by Disc Makers November 30, 2009

jamLinkMusicianLink has released the jamLink, an audio interface that uses the internet to allow musicians to play in sync from different locations, no matter how far apart they are. The jamLink works with pretty much any instrument or microphone that has a 1/4” output, so you can plug in and jam with guitarists, singers, or other bassists across the country even if they are hundreds of miles away. Read more…

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The $999 Home Studio

by Keith Hatschek November 16, 2009

A pair of VLA-4 powered monitors makes it easy to mix your project. As the cost of home recording technology has continued to fall, the list of products and their available features continues to grow. So it seems timely to ask the question, “Can you put together a viable home recording set up for less than $1000?” To help answer this question, we turned to pro audio veteran, Richie DeCarlo at Philadelphia’s music superstore, 8th Street Music. Let’s see what gear goes into a prototypical home studio rig and how much bang for the buck can you get with a grand. Read more…

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