Posts tagged as:

recording

Building a Home Studio
Focus on acoustics and get the most of your home recordings

by Keith Hatschek July 14, 2011

Mixing BoardMany of us have the gear to make our own home recordings, but often physical and/or acoustical limitations in the space where we record have an impact on the sound of our recordings. Parallel walls, cramped square rooms, or loud appliances can quickly ruin any home recording. If you are contemplating improving your garage, attic, basement, spare bedroom, or loft into a home studio to make better recordings, how do you go about it? Read more…

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The Ultimate Podcasting Mic Shootout

by Disc Makers June 13, 2011

podcast microphonesAnyone shopping for a new podcasting microphone, or a voiceover microphone, or even a studio vocal microphone should know that the broadcast industry has relied on a very small handful of mics for the past 30 years. Broadcasters know something that you might not: how to get a great vocal sound. Read more…

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Home Studio Tips from a Big Studio Designer

by Disc Makers April 22, 2011

Project and home studios are often located in basements and spare bedrooms, which have numerous limitations. For many studio owners, major reconstruction and remodeling aren’t an option—surface treatments, furnishings, lighting, color, and equipment are about all that may be changed. Read more…

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Licensing Your Music Ain’t Easy – Be Cool

by Scott James January 14, 2011

I recently had lunch with the founder and CEO of a popular website for independent artists. It was great to catch up and hear about all the exciting things going on with the site. On the other hand it was a bit of a concern hearing about some of what he and his staff have had to put up with recently in dealing with some of the more, shall we say, frustrated and/or unstable musicians that use his services. Read more…

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Recording with Reverb and Echo – Tips and Lessons from Six Classic Tracks

by Keith Hatschek November 23, 2010

If you’re recording and mixing your own tracks, you may have already begun experimenting with reverb and delay, two time-based effects that offer the opportunity to change the perceived time and space coefficient of an individual instrument, voice, or an entire mix. Simply put, the use of reverb and echo effects can create the perception of music being performed in a small concert hall or a 20,000 seat arena, or anywhere in between. We’ll consider the aesthetic use of each, and recommend a few classic tracks worth checking out that make excellent use of these time and space effects. Read more…

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Basic Tracks: Where the Magic Is Made

by Bobby Owsinski October 25, 2010

The Music Producer’s Handbook Basic tracks are the initial recordings of the rhythm section that are done prior to any overdubbing. Basics are the foundation for the music being recorded and for any other parts that come afterward. If there’s something faulty in the foundation, it will either be impossible or very costly in time and money to fix things later. That’s why it’s essential to make each basic track the best it can be.

Regardless of whether you spend a little or a lot of time in preproduction, recording basic tracks is where you either make the project or break it. Even if you had a great preproduction, you never really know how things will record or what unforeseen circumstances will pop up until you get there. Read more…

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Creating a Budget for Your New Album

by Disc Makers August 6, 2010

creating a budgetCameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written yet another excellent article for independent musicians. This article comprehensively details the time and costs involved in creating a new album. Mizell put together “a realistic cost scenario for every stage of creating a new album,” which could serve as an indispensable guide for those about to embark on the process. Read more…

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The Self-Released Album – A Four Part Series

by Disc Makers June 11, 2010

Cameron Mizell, freelance guitarist, producer, and consultant in Brooklyn, has written a four part series about self-releasing an album. Filled with helpful information and resources on everything from your production schedule to digital distribution to copyrights and cover songs, it is a must-read. Read more…

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Putting Apple’s GarageBand to the Test

by Keith Hatschek May 17, 2010

GarageBand is a music creation software application that is part of Apple’s iLife suite (GarageBand, iMovie and iPhoto) and ships on all new Macintosh computers. For this column, I jumped into learning how well GarageBand might work as a musical sketchpad to rough out a basic song demo. I enlisted the help of two friends, vocalist Josh Washington and songwriter/percussionist Dan Faughnder, for the home sessions. In the process, we recorded live vocals and electric guitar to go along with the software-based instruments and loops found in the program’s library. We wondered just how good a song demo could be created in a couple of hours by GarageBand rookies. Read more…

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Bigsby’s Old School Vibe Still Resonate

by Chris Grova May 13, 2010

BigsbyNo matter what you call it, ‘whammy bar,’ ‘trem bar,’ or whatever, there’s only one (IMHO anyway) that’s stood the test of time for over half a century and remained the arbiter of cool: the Bigsby. Exuding an old-school vibe that still resonates today, the Bigsby Vibrato adds classic functionality to many an electric guitar. Read more…

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In the Studio with Michael Jackson

by Bruce Swedien May 10, 2010

In The Studio with Michael JacksonNo one was closer to Michael Jackson at the height of his creative powers than Bruce Swedien, the five-time Grammy winner who, with Jackson and producer Quincy Jones, formed the trio responsible for the sound of Jackson’s records.

Excerpted from Bruce Swedien’s book, In The Studio With Michael Jackson, published by Hal Leonard. Read more…

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In the Studio with Trevor Horn

by Howard Massey May 3, 2010

Trevor HornTrevor Horn is rather unique among his peers in that he enjoyed a highly successful career as a musician before moving to the other side of the glass. As half of the eighties pop duo the Buggles (he was the one with the nerdy glasses), he co-wrote, co-produced, and sang lead on their smash hit “Video Killed the Radio Star,” perhaps best known today as the first video ever played on MTV. He and co-Buggle Geoff Downes were then briefly integrated into prog-rock kings Yes (an experience he later described as “awful”) before he made the decision to end his touring days and focus full-time on record production. Read more…

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Analog Recording in Digital Times

by Keith Hatschek April 8, 2010

analog recordingWhile the revolution in recording technology centers on affordable digital audio workstations, the affection for the old analog traditions and sounds is more than just nostalgia.

To that end, Britain’s six-piece Band of Bees is working hard to reclaim and recapture some of the vintage sounds of legendary artists from the ‘60s and ‘70s like The Beatles, Buffalo Springfield, and the Young Rascals in their recordings. Read more…

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Creating a Lead Sheet

by Keith Hatschek March 19, 2010

Lead Sheet SoftwareThere’s some great software on the market that makes it easy to transcribe your music. We compare two programs and give you our take on ease and performance.

For a songwriter getting ready to work with a back up band or go into the studio with session musicians, having an accurate lead sheet of your songs is a great way to save time and money. Read more…

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10-Minute Music Practice

by Leah R. Garnett March 12, 2010

One person may practice an instrument for an hour a day, another for only 10 minutes a day. And yet the person who practices for 10 minutes may make more progress than the one who practices for an hour. Why? Because the person who plays for only 10 minutes may spend that time in focused practice, working on developing new skills.

The person who practices for an hour may spend that time playing songs, pieces, or scales that he or she already knows. Read more…

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