There are baseline truths you can fall back on to improve your mixes, whatever your sound source – whether mixing with headphones or studio monitors. Read More.
When playing keyboards, latency can refer to the delay between hitting a key and hearing the resulting sound. Just a little delay can derail your part. Read More.
Having an inspired idea is one thing, but actually recording great keyboard parts in the studio can be another. Here are seven tips to put you on the right track. Read More.
Jordan Rudess, keyboardist for Dream Theater and founder of Wizdom Music, gives us his picks and favorites in the ever growing world of music making apps for your mobile devices. Read More.
You can transform your mobile device into a Swiss army knife of synths and virtual musical instruments with these recommendations from Dream Theater keyboardist and musical entrepreneur, Jordan Rudess. Read More.
When sharing music tracks, having a plan for how to prepare your material for easy remote collaboration can save significant time and help avoid headaches. Read More.
In our August Disc Makers Twitter chat (#DMchat), Graham Cochrane, mixing engineer and founder of The Recording Revolution, gave us an overview of audio mixing fundamentals for musicians of all genres. Read More.
Other than cost, which is one obvious reason headphones are a worthwhile option, here are three advantages to mixing on headphones in your home studio. Read More.
Our March 15th Disc Makers Twitter Chat focused on home studio recording tips featuring recording artist, producer, recording engineer, and “The Recording Solution” founder Scott Wiggins. See what Scott had to say in this #DMchat. Read more.
To get a great vocal sound in your home studio, you need to concentrate on these five technical elements – assuming you’ve got a vocalist who can deliver and a space ready to set the mood capture the mood. Check out this video for a high-impact, commonsense recording tutorial. Read more.
Studying the differences will help you know where to draw influences from and what your audience is looking for. Drum and Bass sounds completely different from Electro which is completely different than House and Dubstep and Techno. Each genre has a completely different feel and production aesthetic. Read more.
Anyone can open GarageBand, drag a few drum and synth loops in, and create some something that resembles electronic dance music. But according to producer Francis Preve, there’s a world of difference between electronic music that is“constructed” and that which is created with expertise and inspiration. Read more.
Albums often come to life after great amounts of planning, practice, budgeting, and coordination. On the other hand, sometimes great albums are made without the artists even realizing they’re doing it. We study Oz Noy and Scott Healy – two cases where an unintended live tracking session turned into a live album release Read more.
MIDI, or Musical Instrument Digital Interface, is a language by which computers, virtual instruments, and hardware samplers/synthesizers can communicate. There are a lot of unfamiliar terms and concepts in the MIDI world, so let’s take a look at a few questions that I typically hear from first time users. Read more.
Microphones that pick up sound from the front and back are called bi-directional, or “Figure 8” mics. So why would anyone want to use a figure 8 mic? Oh, there are several cool things you can do with these, including: 1) Recording two voices at the same time, 2) Recording a singing guitarist/instrumentalist, 3) Recording in stereo. Read more.