record production

A study in record production: Miranda Lambert and Beck

As you prepare to self produce your next recording project, take time to study record production that inspires you. The role of a record producer is critical to any successful recording project, it’s the creative guidance and vision of what the finished recording will sound like that makes a producer most valuable. We take a look at tracks by Miranda Lambert and Beck. Read more.

music producer

Psychology and the music producer

What’s the most important thing to focus on as a music producer? Enthusiasm. Even if you’re telling them it’s not a great take, be enthusiastic about the fact that you think they can do a better job. You have to be good at focusing the artist and getting them to do the best they can. You have to make sure that nothing is condescending and that the tips and feedback you give are constructive. Read more.

In the studio with Trevor Horn

Trevor HornTrevor Horn is rather unique among his peers in that he enjoyed a highly successful career as a musician before moving to the other side of the glass. As half of the eighties pop duo the Buggles (he was the one with the nerdy glasses), he co-wrote, co-produced, and sang lead on their smash hit “Video Killed the Radio Star,” perhaps best known today as the first video ever played on MTV. He and co-Buggle Geoff Downes were then briefly integrated into prog-rock kings Yes (an experience he later described as “awful”) before he made the decision to end his touring days and focus full-time on record production. Read more…

Behind the glass with Joe Chiccarelli

Chiccarellicrop As the producer of classics from Frank Zappa, The White Stripes, and Kurt Elling – Joe Chiccarelli draws inspiration from a variety of sources in the studio. It’s hard to believe that the same individual who produced the rough-and-ready White Stripes’ Icky Thump was also responsible for the ephemeral, moody ambience of The Shins’ Wincing the Night Away or the slick jazz of Kurt Elling’s Night Moves. Read more.

Behind the glass with Daniel Lanois

LanoisWhen I listen to my records from the ’70s and ’80s and compare them with newer recordings, I can hear a difference, but it’s not just the tape – it’s where we have traveled in our minds and where our expectations have taken us. It’s a slow creep, and year by year a little bit of the old way of doing things just disappears. It’s an erosion rather than a change of technique. So I don’t really miss the sound of tape, but I miss some of the philosophies that we operated by back in the day. Read more.