Audio mastering for vinyl

If the music program is sibilant overall, the audio can be cut at a lower amplitude, which can help with the distortion caused by the high frequency information. The result, though, is a vinyl record that’s at a lower level, and the surface noise will be more prominent – not to mention, it’s not going to be comparable to other vinyl albums. Read more.

From mastering audio to manufacturing: the steps in CD production

Audio Mastering GuideThe process of transforming your musical ideas into a finished product you can share and sell begins with your audio recording sessions and continues through to the delivery of your packaged CDs or vinyl records. The choices you make at each step affect the quality of your final product, so familiarizing yourself with this process at the earliest stages will help you produce the best possible results. Read more.

Test your music products before you go to market

Test your music productsTesting and feedback should be part of the process of getting your music products into releasable form. Testing material on your most likely fans, and making necessary improvements and decisions before committing your time and money to the recording, manufacturing, distributing, and promoting it. Without market research, you could easily spend hundreds (or thousands) of your hard-earned dollars recording music that’s unmarketable to music supervisors, labels, radio stations, and even your own target fans! Read more.

Format options for your audio master

audio master formatsWhen deciding how to prepare and submit your audio master for CD manufacturing, there are several format options to choose from. A complete body of work on a CD-R, individual audio files such as WAV or AIFF (with any variety of bit-depths and sample rates), and DDP 2.0 file sets are the most popular formats. An analog reel to reel master or DAT (digital audio tape) also provides high quality, though used less frequently with the advent of newer digital options. Read more.