In life, and when making an album, things happen. The more you understand about the process and the more detail-focused you are, the better your chances for success. So here are some things I wish I had been told before I started putting together an album’s worth of material to be pressed and distributed. Read more.
All too often, I’ll see an artist find the funding for her recording only to fail miserably at project management. Too many independent music artists are engrossed with recording a full length CD, so they focus on how to achieve that goal within their budget rather than making the most of the money they’ve raised. Read more.
We’ve been covering the topics and trends of crowdfunding for musicians for years. Here’s a collection of posts that tackle topics spanning settling on a platform, setting goals and timelines, pricing rewards, and a whole lot more. Check out these posts, and keep coming back, we’ll keep adding new content. Read more.
You’ve got your songs, arrangements, musicians, and studio all set and ready to go; plans for CDs and publicity aren’t far behind. The question? How to pay for it all. Here are case studies, tips, and strategies from musicians on gathering the funds to make their own dreams of an indie album release a reality. Read more.
There are numerous ways to approach crowdfunding – including home-grown methods that don’t rely exclusively on the websites that facilitate the process. Singer/songwriter Linda Chorney has been creatively financing and her own album projects for decades. I interviewed her to get some of her personal crowdfunding tips on the matter. Read more.
Crowdfunding doesn’t just raise money, it engages your fans beyond simply asking for donations or getting them to buy your merchandise; a successful campaign makes them feel like active participants, captures their enthusiasm, and helps you spread the word. The key is organizing your efforts to maximize fundraising. Read more.
Music metadata is the information embedded in a digital audio file that is used to identify the content of the song, including the song title, band or artist’s name, the name of the album on which the song appears and which number track it is, the genre of music, and year the song was released. Read more.
When it comes to sales, sometimes the very best technique is the most direct. Ask plainly for the sale. If your fan or customer really wants to buy from you, you’re doing him or her a favor by making the process streamlined and easy. If your fan or customer is unsure, you’re not helping the cause by being ambiguous. Read more.
If the music program is sibilant overall, the audio can be cut at a lower amplitude, which can help with the distortion caused by the high frequency information. The result, though, is a vinyl record that’s at a lower level, and the surface noise will be more prominent – not to mention, it’s not going to be comparable to other vinyl albums. Read more.
Vinyl records are back – of course, they never really went away, but how exactly do they work? We take a look at the history of vinyl and explain the science behind the sound of vinyl records. From mastering to manufacturing, we’ve gather insights on exactly how vinyl records work. Read more.
It’s not always easy to know what you should be releasing as a musician. Should you go all out and create a 14 track album right away? Should you release a single as soon as you’ve recorded your first track? Here is a plan I’ve seen work well for many independent artists. Read more.
The process of transforming your musical ideas into a finished product you can share and sell begins with your audio recording sessions and continues through to the delivery of your packaged CDs or vinyl records. The choices you make at each step affect the quality of your final product, so familiarizing yourself with this process at the earliest stages will help you produce the best possible results. Read more.
Even though CDs and vinyl records both make use of similarly-proportioned circles and rectangles in their design templates, each format presents unique opportunities to create graphics that your fans will love. Here are some tips from experienced designers and album manufacturing product managers to help you craft an album design worthy of the music enclosed therein. Read more.
Testing and feedback should be part of the process of getting your music products into releasable form. Testing material on your most likely fans, and making necessary improvements and decisions before committing your time and money to the recording, manufacturing, distributing, and promoting it. Without market research, you could easily spend hundreds (or thousands) of your hard-earned dollars recording music that’s unmarketable to music supervisors, labels, radio stations, and even your own target fans! Read more.
When deciding how to prepare and submit your audio master for CD manufacturing, there are several format options to choose from. A complete body of work on a CD-R, individual audio files such as WAV or AIFF (with any variety of bit-depths and sample rates), and DDP 2.0 file sets are the most popular formats. An analog reel to reel master or DAT (digital audio tape) also provides high quality, though used less frequently with the advent of newer digital options. Read more.