An input list should include every instrument, DI, and vocal that’s part of your stage set-up. Here are some tips to help you put together an effective input list with minimal headache. Read More.
Think you’ve told your live sound engineer everything he needs to know for your big gig? Don’t forget these important details. Read More.
A well-crafted stage plot – customized to the lineup and tech needs of your band – can go a long way towards setting yourself up for success once you hit the stage, especially for a multi-band event. Read More.
The fifteen minutes between one artist’s final note and the next group’s first “hello” are precious. How you handle the transition can set you up for your best performance at your next music gig. Read More.
If you want success as a singer/songwriter, I already know these five things need to be addressed without even seeing your show. Read More.
Your audience wants to respond, they just don’t know what you want them to do – they don’t know what’s going through your head when you’re on the stage – so you have to use verbal, visual, and musical cues to lead them where you want them to go. Read More.
Not everybody wants to pursue the path of marathon gigging, but for those with a deep love of music and a desire to share it, it can be a great way to get paid for doing what you love. Read more.
Being intentional with different visual presentations for the variety of moods your songs invoke is part of what Tom Jackson calls changing the pressure on your audience during your live performances. “I’m not talking about acting or choreography, I’m talking about thinking, “What should this song look like?'” Read more.
It’s a cliché to say that show business is tough, but the reality is that it’s worse than that. It eats good people alive. Here are three survival skills I’d like to pass along that have helped me get through 15 years playing solo acoustic cover songs in bars, restaurants, private parties, corporate events, and pig roasts in cemeteries. Read more.
A personal exploration into this writer’s lack of enthusiasm for performing live. It’s been a part of my life for over 30 years, I’ve been at this for so long. I’ve been practicing with my buddy and collaborator for three years, and we can be impressive when we play to our strengths. – what’s holding me back? Read more.